ShubbNickel 12 String Guitar Capo C3

Let me say this, I am a huge fan of Shubb capos having used them for many, many years playing professionally. The new model that I received recently via Amazon was a disappointment. Even though it seems to match the previous model exactly the adjusting screw does not allow the "jaws" to open as wide as the previous model. I cannot get it to open wide enough to work on some of my instruments. I am planning on writing directly to Shubb about this and will probably send it back to them for replacement. I've met them at NAMM a few times. They're nice folks and the product really is the best in my opinion. I like to be able to adjust the tension on the capo from one instrument to the next as well as changing it as you change it's position on the neck. As well, my favorite feature is to put it on so the open "jaws" are facing up thereby allowing me to snap my thumb down on the capo on a downbeat causing it to fall to the floor. I play almost exclusively in DADGAD tuning and by being able to do the "drop capo" thing I can change keys quickly - something very important when accompanying traditional Irish music.

No issues with Shubb capos, I have several for my six string and mandolin. This NEW DESIGN however does not fit a Taylor 12 string guitar, which are known for their thin and easy playing necks. Not sure what this would fit.In the most open position, it is tight on frets 1-3. I would not use it beyond the 3rd fret as it might damage the neck by clamping too tightly . The rubber piece than snugs against the back of the neck does not center properly either.I will reorder an S3, which is hopefully like my S1s for my six strings. I emailed Shubb and they said to try an S3 or S3v for thick necks. 3 is the 12 string designation. I read about the S3v and it said it was for vintage necks, in my thoughts, meaning old school very thick necks, so hopefully I ill not need this one.Hopefully the S3 will fit my 12 string just like the S1 fits my six strings.

Used it for rehearsals leading to public performance. Worked well, but as with any style of capo care must be exercised to place the barre close to the fret and seat it properly so that all the strings ring through, especially on a 12-string guitar. The best feature of the Shubb is the adjustable roller mechanism that is crucial to dial in just the right tension to hold down the strings. Note that the tension varies depending upon which fret it is being placed, just as it is more difficult pressing strings toward the nut that around fret five. The roller mechanism allows for more precise tension up and down the fingerboard than a capo that is only spring-loaded. The trade off is convenience. Since I only needed to capo at fret three, pre-adjusted (experment) I only needed to snap (it does "snap" into place as the lever is depressed, unlike a spring-only device) the capo on and off for one song only. If you capo at different frets, then this might not be the ideal device for you for live performances. A Kyser or similar spring-only capo would be better when you are under pressure to capo quickly. But in the studio or if you set it and forget it, the Shubb is the way to go. I have a couple of others that I obtained years ago that were similar in design and even the hard rubber contact points work well today. The only niggle is that the handle is a bit short and does not provide quite enough length for proper leverage. But then there is a trade off between weight, bulk, and a longer handle getting in the way. So this is a minor issue. If this had been available in stainless steel, then I would have paid a few dollars more for the additional tensile strength. Indeed, one of my worries is that the capo appears to be made of cheap Chinese metal that would snap under pressure. So go with the stainless steel if it is available. I ordered another Shupp but for six string acoustic, in stainless steel. I rarely do capo, but when I do I want the Shubb in my gig bag along with a Kyser for back up. Well done, Shubb. I could play my Martin 12-string with confidence without having to worry about capo too much.

A fellow player recommended Shubb capos because they don't require retuning. My luthier says they don't kink the strings like most others. I tried the 6 string version, and it worked so well, I bought the 12 string one. They press on the strings like you would with a barre chord. Every capo user needs these.

Feels solid, I did have to actually use the capo upside down on my Seagull 12 string for the Bass E pair to get good connectivity. Not a huge issue, as I often see other players use their capo upside down. Overall feels very solid and super easy to adjust, the trick is getting it just tight enough rather than too tight.Can't hook it to the headstock of a guitar without adjusting, so I just have to remember to put it in my pocket.

Got a 12-string, never even tried the capo's (cheapies) I had.I have to admit, I thought the few reviews I read on "how does it work" made me snicker...until I tried to apply it. Very cool design!. Once you set it for your guitar, moving it/(fretting) to correctly adjust the tension, is as simple as 'turning' a knob. Not a "quick-change" device, but I literally just got it and experimented a 'bit with it.If your like me, and read all the negative reviews first, the couple of those that talked about "too much curvature" don't understand the genius of it's design...it doesn't have to match the curve of the neck, 'per-se' ..but rather find the specific 'balancing' point.Could not be happier.

I bought the 12 string guitar capo- and it works with the skinniest neck I have! 6 String Epiphone Les Paul!I've walked into a Guitar Center with this capo and it works well on EVERY single guitar I try!Works beautifully- finally a capo that holds ALL the strings down without any buzz- and I didn't even need to adjust the screw for most of the guitars I tried!Locking mechanism: Quicker to get used to than what some other reviews/videos had me believe. However, it is a step harder to operate than the clamped quick adjustable ones that everyone else uses!

I start my review from the standpoint of already using Shubb capos. I use one with my Taylor GS Mini and a Shubb flat-bar capo with both a classical guitar and a JHS Vintage Viator.12 strings can be a different ballgame altogether. Even good modern 12's can have actions which can call for a fair bit of pressure when using a capo. Many players use Kysers because their grip can, indeed, be phenomenal. I haven't tried one of those on a 12 but I do suggest that if you're a 12er, then don't overlook them just in case they suit you and your instrument.I have two 12 string capos: a G7th that I bought some time ago and a Shubb which I've purchased more recently. To be honest, there isn't a lot of difference between them in terms of efficacy. When adjusted to the neck, they both work well. If you're familiar with G7th capos for six stringers, you'll know how heavy they are because of their clutch mechanism. The G7th capo for 12 strings doesn't use that system and in a way it's method of gripping isn't dissimilar to that used by Shubb. The G7th is much lighter than you might expect, so I'd also advise you to consider it as well. But when it came down to the nitty-gritty of my own personal preference, I liked the Shubb better. You can fit it faster because the jaws of the G7th don't seem to open widely enough to allow you to slide it right across the wider fingerboard with ease. I found that the Shubb was definitely more likely to stay locked in place whereas the G7th could quite easily be knocked by your fretting hand and then auto-release. On the plus side for the G7th, it looks more sleek and less clunky than the Shubb - but in the end, it's the Shubb I'll be keeping and using. The G7th will only be retained as a spare.I'll try to attach one photo which compares the two capos in identical positions. I hope it's useful.

I have been gigging with my original capo for 20 years and thought it was about time I had a spare. The new design is even nicer than the original. The wheel makes the action even smoother and easier to use. These are the best 12 string capos about. The grip is consistent and vice like when you get the hang of using it. (you don't have to Gorilla it) In fact the only down side I have found is that this one being Black it is hard to spot on on a dark stage. It works perfectly on either my Burns electric 12 or my acoustic Seagull S12. You will not be disappointed. if you buy one

I have had many capos but none of them have ever done a decent job on my 12 string. This one is light, easy to use, super quality but most important, it holds down all the strings beautifully and the strings play like there were no capo on at all. This is much more difficult on a 12 string as the the string pairs (4 pairs anyway) are close together but of very different gauges. Other capos don't deal with this ending with the high string of the pair not having enough pressure on the string to hold it down enough. [I hope I have explained this OK!!]. Great capo and obviously works just as well in a 6 string.

I ordered one of these a few days ago but realised, after I opened the packet, that it was for a 6 string classical guitar and not for a 12 string. However, because it was so neat and almost worked I decided to order the correct one from a different buyer as it was clearly shown as a capo for a 12 string. I was not disappointed this time as I found it very easy to use - easily adjustable - and with the right tension it fitted my 12 string with no buzzing. I watched some videos on Youtube about a capo for 12 string guitars before buying but although you do get to see the capo in action it didn't do it full justice. Still I took a chance and have to say I am not disappointed. Whether more expensive ones are better is hard to say but when a capo does exactly what you want and expect and at a reasonable price then it has to be perfect. So my conclusion is just that...perfect for the job, well priced , very neat and easy to use. Where to put it when you take it off the guitar is another issue as it won't attach easily to the headstock like some spring type models but that doesn't really bother me. So, all in all, a great capo at a very reasonable price.

I bought this to replace a Planet Wave spring-based capo, which worked fine for a number of years until the spring weakened ,. The Shubb doesn't rely on a spring mechanism- it has a clever 'pinch' action. From the off it felt more secure and the slightness of the device means it's not in the way of the fretting hand, even in positions way up the neck. The adjustment for neck thickness is simple but sensitive. It's easy to find the 'sweet spot' that will give just the right amount of grab. Initially I was disappointed not to have more metal for my money, but this does the job unobtrusively and doesn't throttle the resonance, My Italia Rimini 12 just loves it!