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S**S
This Book Demonstrates How Jung Was a Natural Art Therapist!
I love this book! It traces with narrative and images how Jung was a natural art therapist (although it does not directly say that but demonstrates it) beginning as a child through adulthood. A very easy book to understand about Jung and probably the most beautiful images you will find other than in the Red Book. I used this book to assist teaching an undergraduate class at SSU in art therapy and Carl Jung. We went through all the same art processes that Jung did to explore individuation and Jung's theories. I do suggest that you read his autobiography, "Memories, Dreams, and Reflections" along with it to get a full understanding of Jung's life and process.Martha Love,author of What's Behind Your Belly Button?: A Psychological Perspective of the Intelligence of Human Nature and Gut Instinct
R**E
GOOD
Jung was a total genius.This tells his story well enough.
K**Y
Beautiful, thoughtful, and engaging
I just finished reading Claire Dunne's portrait of Carl Jung and wanted to share what a powerful and inspiring work this is. Ms. Dunne did a wonderful job of telling the story of Jung's evolving and awakening soul as he lived his life fully as a real individual with great gifts and real shortcomings. The book really reflects both the real earthiness of Jung "the peasant" and the highest and deepest explorations of Jung the genius and truthseeker. More than anything else, it seems to me, that you cannot be in the presence of Carl Jung (either in person or through the skillful help of this author) without feeling, as the poet Helena Henderson is quoted in the book, "Above all I remember someone who, by his every word and action, gave one the feeling that life is a good thing--something even more precious to me than anything he put on paper." (p. 109) The book has really blessed me, and it will be one I turn to again and again. I hope others enjoy it as much as I have.
B**N
A lovely life, beautifully pictured
This is a beautiful book. I expected that, but there isn't an index, so it is difficult for me to see at a glance what else I might learn from this book. The notes are extremely brief, mainly to give page numbers in MEMORIES, DREAMS, REFLECTIONS by C. G. Jung much more than any of his other works, or to give page numbers in the two volumes of his letters, plus THE FREUD/JUNG LETTERS, and the compilation published by The Analytical Psychology Club of San Francisco, Inc. in 1982, C. G. JUNG, EMMA JUNG, TONI WOLFF. In the contents at the beginning, we find that in Part 1, Wounded, there are two pages for "Toni," and in Part 2, Healer, pages 101-05 for "Helpers: Emma, Toni," and in Part 3, Of the Soul, pages 141-47 for "Answer to Job" and pages 169-172 for "Toni," who died suddenly in her sleep at the age of 65. The caption of the picture on page 170 states, "Although Jung tried to get Toni Wolff's scientific writings published after her death in 1953, as yet they remain unpublished." But sometimes things change faster than photo captions, and Jung managed to write an introduction "When Toni's STUDIES IN JUNGIAN PSYCHOLOGY was published." (p. 171). Jung destroyed "Toni's letters to him and his to her."Shortly before Walter Kaufmann died in September, 1980, he finished work on the third volume of DISCOVERING THE MIND, which he called FREUD VERSUS ADLER AND JUNG. As a philosophy professor, Kaufmann sought sound scholarship, innovative science, a well-organized writing style, and the sort of penetrating self-knowledge that he was used to from all the work he did on Nietzsche. The first page of section 70 of his book, page 397, explains how Jung achieved success without being particularly profound, by failing in ways that enhanced his popularity, a strategy that ultimately might be considered more professional than scientists can claim to be. He quotes Jung as someone who, "much more even than Adler, became a guru" to a group that expects professionalism above all: "About a third of my cases are not suffering from any clinically definable neurosis, but from the senselessness and aimlessness of their lives. . . . Over two thirds of my patients are in the second half of life."As a mere philosophy professor, Kaufmann never benefited from having a consistent publisher for his own work, though coming out in paperback made it possible for his translations of Nietzsche to be fully successful. Most of his page 397 is about books. "Among Jung's patients were wealthy American women, eager to do something for the cause. Eventually, the publication of his collected works, in English and German, was subsidized, and the volumes were produced very beautifully and underpriced, and then also made available in extremely attractive paperbacks." Though CARL JUNG: WOUNDED HEALER OF THE SOUL/ AN ILLUSTRATED BIOGRAPHY by Claire Dunne (who was born in Ireland, lived in Australia, and founded two Australian multicultural radio stations) is not entirely the work of women, it is as attractive as any that could describe itself as "--the book is itself a work of art, the kind of enduring tome which is picked up again and again for the pleasure of the eyes as well as that of the mind." (back cover, Olivier Bernier, "who directs the Van Waveren Foundation, was the first to acknowledge the manuscript with a publication development grant." Acknowledgments, p. 218).The picture on page 104 which shows Freud and C. G. Jung standing, with Emma Jung and Toni Wolff seated in front of them at the Third International Psychoanalytic Congress, 1911, also shows an arm of Lou Andreas-Salome at the edge of the picture by Freud, as more of the same picture is displayed on page 136 in JUNG A BIOGRAPHY by Gerhard Wehr, translated from the German by David M. Weeks. The latter, hefty biography of Jung, for whom "the superindividual was paramount" (Wehr, p. 4) has an index of names on pages 539-549, with the number of listings for Toni Wolff taking 2 lines as only a few names, like Alfred Adler, Jesus Christ, and Friedrich Nietzsche do. Sigmund Freud and Aniela Jaffe each need 3 lines in the index of Wehr's book, which seems to devote much more to Jung's work than to his life. People who are more interested in what kept Jung motivated should see the picture of Toni Wolff on page 50 of Claire Dunne's book, dated December 1930. I'll bet she was about 44 years old then, when Jung was 55, and thought she was only 42. Some people aren't good with numbers, at that age, but people who are likely to buy this book don't have to be adept at math.
B**V
Historic interesting book. I listened to it on my echo at night.
I have a brain injury and it's annoying if a voice doesn't agree with my ears and brain. Sound can be especially hard to deal with after a traumatic brain injury. I can switch the echo's voices until I find one more soothing to my ears. I was listening at 70% speed. Life is very over whelming due to stimulus. Some days are way worse than others.I highly recommend kindles for people with traumatic brain injuries. It's very user friendly and I can go back 5 minutes as long as it takes to understand.
E**T
Excellent book
I have long held Jung to be a prophet, and this book clearly reveals his relationship to his Maker was inspired, his main message being "The real history of the world seems to be the progressive incarnation of the deity. "
M**G
Three Stars
It's okay. Haven't finished it yet.
M**M
Powerful visuals and
This is the Jung book to have at hand, whether one is a 'Jungian', a seeker after individuation, or an artist. Ms. Dunn has brought us the humanity of Dr. Carl Jung, bringing us into his life and making his work accessible. It is richly illustrated. I highly recommend this book to everyone.
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