Batman: Arkham Asylum Anniversary Edition Paperback – November 1, 2005

"I see now the virtue in madness" begins Amadeus Arkham, locked in his own family home which he spent his life converting into a home for the mentally deranged only to later descend into madness himself. "I pity the poor shades confined to the Euclidean prison that is sanity. All things are possible here and I am what madness has made me. Whole. And complete. And free at last...""Arkham Asylum: A Serious House on Serious Earth" is a nightmare vision featuring The Batman and some of his most deadly foes as you've never seen them before. Not a typical comic book by any means; this is art, plain and simple. A psychological exploration overflowing with oblique symbolism, jaw-dropping and stylish artwork, imagery meant to terrify, and prose meant to provoke. Some readers may be turned off by the out-of-character situations and reactions of some of their favorite characters or the mind-twirling nature of the story progression and art, but this is the creepiest and most avant-garde comic I've ever read and that alone makes it a must. This is not a superhero story; this is pure unadulterated psychological horror of the highest caliber.The story is actually two concurrent tales. One is an illustrated reading of the journal of Amadeus Arkham exploring his life, his death, his ambitions, and his succumbing to the very thing he dedicated his life to curing. The other follows the exploits of The Batman, called to the most storied sanitarium in all of fiction to face some of his greatest foes -and greatest fears- alone. The two overlap at times with Arkham's words adding symbolism to the events during Batman's journey into the heart of darkness.The look of this book is jarring. Outstanding. Amazing. It's like real life bleed into a classic painting to create this surreal abstract art style. I figured Heath Ledger's portrayal of The Joker in The Dark Knight would be the one to haunt my nightmares. I was wrong. From his very first frame here he looks positively demonic; not a man at all but a grinning atrocity with frightening eyes and a horrific countenance. The very embodiment of Satan himself: a fitting representation in this context. Clayface is not the shapeshifter we know here, but has become a living symbol of disease and corruption, a pathetic being like many of the other villains residing within Arkham's walls. After successful therapy, Two-Face has been weaned from his coin-flipping habit and now makes decisions based on tarot cards, offering him shelter from the black/white absolutes of his criminal past. The problem: he can no longer even go to the bathroom without relying on his cards to tell him what to do. The end result is messy. Scarecrow makes a brief, but frightening appearance, and The Caped Crusader does battle with Killer Croc as well. The Mad Hatter shows up in true Lewis Carroll form (but with more pedophilic undertones) and offers up the solution to the mystery of this bizarre version of Batman's existence; confirming what I had suspected.If there is any chink in this book's armor, it's that the symbolism overpowers the story much of the time. Fans of David Lynch, David Cronenburg, and H. P. Lovecraft will eat this up, but anybody looking for a traditional linear good vs. evil story may want to think twice. This is an exploration of the psychology of Batman; his fear that he is the reason Arkham is overflowing with madmen, or worse: that he is no different from those he puts behind it's walls. There are several recurring themes that are shared in the past experiences of both Amadeus Arkham and Bruce Wayne that are pretty fascinating. All of this insanity is held together by the outstanding art. "Arkham Asylum" is a complete package that requires multiple readings and a patient mind to unravel, but it is well worth the effort for those who want to get down to the elemental core of the Batman and gain insight into his thoughts and feelings. At first read, there is a lot that will be very off-putting the the Batman faithful, but once you understand the true nature of the book, it is an amazing work.This 15th anniversary edition features a real treat. The back pages are full of commentary by the creator of this beautiful mess who shares a ton of insight in entertaining fashion. But the real gem is the original script for the comic, which reads a lot like a screenplay for a film. Anyone still in the dark about writer Grant Morrison's intentions with this story would do well to give it a hard read. It really lays out the symbolism and references that would otherwise fly over most anybody's head and answers any remaining questions the reader may have about any given scene. A brilliant addition. Here's one little factoid for you: The Joker's mouth was originally to be drawn as a reference to the fabled vagina dentata. The concept never made it onto the page, but you're welcome for that mental image. Thanks, Mr. Morrison!So there it is. If you've ever questioned Batman's (or your own) sanity then this is the book for you. It's a nightmare of ink on paper and a deep, thoughtful look at the mind of one of the most iconic heroes of all time. It's dark, brutal, chilling, and downright gorgeous in the most disturbing possible way. It will change the way you look at the denizens of Gotham City, I can tell you that.4 1/2 stars, rounded up for treating comics as an adult medium.

If you don't like comic books or graphic novels, you have no idea how many good stories you're missing out on. Oftentimes it's the skills of an accomplished writer that elevates a trade paperback to timeless glory in the eyes of many comic geeks (in this case I highly recommend Watchmen by Alan Moore if you want to read a good yarn). Sometimes the artwork is so good you buy a book just to gawk at (look no further than any book with Alex Ross' name on it).'Batman: Arkham Asylum' is one of the most creepy, beautiful and disorienting graphic novels I've ever read. Being fortunate enough to purchase a copy of the fifteenth anniversary edition, I read the whole thing in one sitting in broad daylight, and when I was finished I felt like I just came out of a nightmare, but a very insightful one. If you are familiar with the creative team behind this classic book, then you'll know what I'm talking about. Be warned that the following story will not appeal to people who think they know who Batman is based on what they've seen in the theaters or on the television screen, because this story does not even operate in Batman's world, let alone the confines of reality (I'm speaking figuratively of course). As far as I'm concerned it's not even a full-fledged Batman tale, even though a slew of well-known characters occupy its narrative.Grant Morrison brought something unique and fresh to the table when he wrote this in 1989, and Dave McKean's artwork backs that up spectacularly. If it wasn't for McKean's presence in this book, the story wouldn't work at all. Speaking of the story, I'll throw you the specifics in case you have no idea what this book is about: all of Arkham Asylum's depraved inmates, including the notoriously psychotic Joker, take over the institution on April Fool's Day and demand that Batman enter its doors so he can face all of the filth he's put away over the years, or else they will systematically execute the unfortunate hostages they've taken inside. That's just the setup, of course. Batman is then confronted by The Joker and made to question his own sanity as things begin to unfold, however surreal, in the prison's walls. The more I read it the more I'm convinced the whole story is a nightmare in and of itself. The narrative flow is disjointed, the settings are vertigo-inducing, the villains are portrayed in extremely stylish ways (the most extreme example of this is Maxie Zeus), and Batman himself is nothing more than a silhouette floating through the proceedings. It's a very short story, but it presents a lot of interesting questions in terms of psychological, philosophical, and even mystical perceptions of sanity: the villains in the story, especially Two-Face, were being "effectively" treated before all hell broke loose, but the conclusion that Batman ultimately comes to when all is said and done is that some things never change, and sometimes you have to be insane to cope with a world as dark as Gotham City.A graphic novel like this will be hard to swallow for Batman fans, but Batman fanatics such as myself go for material this brutal and left-field every chance we get (it's even darker than 'The Killing Joke'!). There are moments where I felt sick to my stomach merely by what the book was insinuating, such as a scene where The Mad Hatter admits his fondness for little girls, but it is the portrayal of The Joker as a demonic cross-dresser that might put off fans who are used to seeing the clown prince of crime in a certain light, preferably the animated one. Just throw prior knowledge to the wind and approach this with an open mind.All-in-all, if you think you can stomach it and want to be literally sucked into a nightmare but walk away with something to think about, then 'Arkham Asylum' is just for you, complete with my seal of approval.