Sigma16mm f1.4 DC DN Contemporary Lens - Sony E Mount

It is an amazing lens! Fully compatible with the Canon M50 with no need to purchase any sort of adapters. Just fits straight on.The picture quality is remarkable. At f1.4 it is super clear, cinematic and leaving a nice Bokeh.The quality of this lens is all metal! So it feels nice and you know it's HQ durable.Highly recommend.

I Love This lens.However I am not a camera guy so I'm not sure of all the technical details.What I will tell you is that this lens is a monster in low light because of its f1.4.Also, it gets quite sharp too! Now on an APSC its more like a 22-24mm but it still gets decently wide enough for you to be using for vlogging.It doesnt have any zoom capabilities obviously as its a prime lens and its quite chunky - not as portable as one would hope. It has an electronic focus ring - as well as autofocus which is really fast and snappy. There's no stabilsation either, but catalyst browse will usually sort that out for you in post.It's perfect for streaming, vlogging, and general content creation.Really happy with it.

I've given a full set of stars for this though I'm not entirety sure why I need to rate it's thickness. I use this with a Canon M50 as my setup for Zoom meetings and it is perfect, allowing a nice shallow depth of field with great low light performance. It's the heaviest of my M-series lenses but I can see this being on the camera most of the time. Great for landscape photography and a great YouTube vlogging lens too. The other night I tried astrophotography with it and the f1.4 meant I could keep the iso lower than I otherwise would have to this creating a really nice image, though a full frame camera would always win of course. I highly recommend this lens and I'm sure the other mount variants would be just as good - fast maximum aperture, precise focus and a great quality image.

I won't write too much here because this lens is thoroughly and extensively reviewed everywhere else. I just want to say it is a very good lens, a bit large but you get a lot of light from it and it's just stunning especially in low light or at night.

Recently I was on a coach holiday in Scotland, visiting the West Coast, the Moray Firth, and the Trossachs. I had with me the wide angle Sigma 16mm, f/1.4 lens for the Sony e-mount on my Sony A6300. I found this very useful in taking a photo of Glen Coe, as the sun was rising, the valley floor was still very dark, although the sky was very bright. The photo of Glen Coe won me a third place at a photographic competition. Where this lens really came into it's own was when we stopped at the Dochart Falls, in Killin, at 3pm on a very dark, and wet November day. I was able to shoot wide open at f/1.4, and still obtain some respectable images despite the inclement weather. So while a kit lens can be very good, a "fast" prime lens is always useful to have at hand especially if some locations are many miles away, and you may not have another chance to revisit those locations again. This lens is fantastic for landscape, architecture, and group shots, the image quality is fantastic, the build quality is excellent, the lens is a little heavy, but there’s a lot of glass in there!

I have numerous Panasonic Micro Four Thirds Lenses- the 50mm, the kit zoom and the expensive Lumix G X Vario 12-35 F2.8.I do a mixture of photos and video and like to try my hand at 'Cinematic' pieces.I have to admit to being a tad (very slightly its still a great lens) disappointed now with the 12-35 which is considered to be a go to lens for videography. It's good and has a constant F2.8 aperture but the autofocus seems to sometimes snap to something, then 'wobble' a bit. It effectively sometimes focus' then defocuses then focuses again. This is a a trait of the lens.This seems slower focusing than the Panny, in video. But its very smooth and doesn't seem to do that double focus issue. So you can be very close to the subject (this is also effectively a macro lens) and pan over it for example, and it smoothly transitions to the distance. This is great for the video I like to do.Not only that but the images are simply phenomenal. The Panasonic G X Vario is good, but its twice the price, and frankly does not look as good as this. There is something you cannot actually describe easily in words about the look of this lens which makes it look fabulous.There are similar, much smaller fast primes from both Panasonic and Olympus but they lack that 'extra something' in the image that this lens does. Its the 'magical' element that this lens has.Two downsides- its quite large (a bit bigger than my 12-35 G Vario but not massively so) as it was designed as an APC C lens. However I am sure the size is resultant in that extra depth to the image quality over its smaller rivals. It also does not have in built image stabilisation. The Panasonic has it in body, but is even better when working in tandem with lens stabilisation so I am going to have to be a bit more careful moving this one about and also maybe use the gimbal more.If you have a G5 or G9 though, this is the lens that shows that camera's potential. In fact with this on, and its very shalow depth of field, it is difficult really to find a camera shooting better quality video than a G9/ GH5 10 bit coupled with this Sigma.