🎶 Elevate Your Listening Experience with ZERO Distortion!
The Linsoul 7Hz Salnotes Zero HiFi earphones feature a 10mm dynamic driver with a metal composite diaphragm for superior sound quality. Designed with ergonomics in mind, they offer a comfortable fit and durable stainless steel faceplate. The detachable OFC cable ensures high-fidelity audio transmission, while the innovative fine-tuning technology provides an immersive listening experience.
Control Method | App |
Controller Type | Media Control |
Control Type | Media Control |
Unit Count | 1.0 Count |
Item Weight | 82 Kilograms |
Headphone Folding Features | In Ear |
Earpiece Shape | Rounded tips |
Headphones Ear Placement | In Ear |
Style Name | without mic |
Color | Orange |
Connectivity Technology | Wired |
Is Electric | No |
Number of Power Levels | 1 |
Antenna Location | Music |
Compatible Devices | Desktops |
Cable Features | Detachable |
Additional Features | Ergonomic Shape, Metal Housing, Detachable High Purity OFC Cable, N52 Magnet, Fine Tuning, Revolutionary 10mm Dynamic Driver IEM |
Enclosure Material | Stainless Steel, Plastic |
Specific Uses For Product | music |
Frequency Range | 10 Hz - 20 kHz |
Audio Driver Type | Dynamic Driver |
Audio Driver Size | 1E+1 Millimeters |
Noise Control | None |
H**Y
Great Sound Quality and Comfortable.
Best IEMs for the price nice and balanced sound signature not over bassy like other over priced main stream earphones. Clear sound signature and very comfortable fit even after hours of using it never feels like you have earphones equipped.
T**.
Amazing value for the sound
They are one of the best 20$ iems, very wide soundstage for a bassy headphones, deep rumbling base with a good mids and highs.Recommended for new biggner audiophiles, it will give you a taste of hi-res audio.Cons:The tips that are included basically sucks.
A**E
Value for money iem
Bought this one, using it for couple of months. Nice product, sound great, quality is good.
J**V
Products Quality
An item arrived on time! And nice quality!
T**2
great headphones
Good sound, and better bass than some other similar models. Great design, very happy with purchase.
A**A
Niceee
All good and worth buying this
A**A
صوت حاد جدآ
المايك خربان
C**A
QC is (still) not good (manufacturer side)
Buy this earphone when 11.11 promos, turn out to be the left cable is faulty.the driver are works, but the left cable is not.so, must do refund, and miss the discount :(so sad.in the end buy a new pair with a full price :(Update(s):Have the problem solved.- have to refund the defective product- Buy again the new one, with non discount price- msg the seller, that I have issue above- the seller refund my excess payment (so in the end in only paid according the discounted price)And the brief review (regarding the product)- The drivers (speakers) are good- The cable is not, the mic is so muffled, and have a static noise when in use. (type c cable)- so i what i can conclude is the Type C cable is not that good.And here's my two cents;If you want usb type C cable earphone with a great sound, you can buy this, but just buy the 3.5mm one with mic, and buy dongle with DAC (makesure it supports mic). sure it will cost more, but i think it will be worth.The mic on this type C model is simply terrible.Overall Linsoul provide a good selection of produt(s) and service, unfortunately the product QC is not good (manufacturer side). The seller are good, but the product is, not that good, especially the type C one. I think Linsoul should assess the manufacturer, because issue like this will give a negative image for Linsoul, even though it not Linsoul's fault.
O**
Produto de ótima qualidade
Fone Top, zero ruído e qualidade mto boa.
M**R
Unleashing Sonic Brilliance: A Deep Dive into the Linsoul 7Hz Salnotes Zero HiFi 10mm Dynamic Driver
The Linsoul 7Hz Salnotes Zero HiFi emerges as a true masterpiece in the realm of in-ear audio, boasting a powerful 10mm dynamic driver that promises an unparalleled sonic experience. This audiophile-grade gem sets itself apart with its exquisite design, precision engineering, and a commitment to delivering pure audio bliss.Design and Build:The Salnotes Zero HiFi captivates from the first glance, showcasing a sleek and sophisticated design that marries form and function. The build quality is commendable, with a robust construction that exudes durability. The earphones are ergonomically crafted, providing a snug fit for extended listening sessions without compromising comfort.Dynamic Driver Excellence:At the heart of the Salnotes Zero HiFi lies its 10mm dynamic driver, a true engineering marvel. This powerhouse is designed to reproduce audio with stunning clarity, precision, and a depth that transcends expectations. Whether you're delving into the rich lows, vibrant mids, or crystal-clear highs, the dynamic driver ensures an immersive and lifelike audio experience.Sound Signature:The audio signature of the Salnotes Zero HiFi is nothing short of phenomenal. The bass response is robust without overpowering, offering a punchy and controlled low end. The midrange is lush, bringing out the nuances in vocals and instruments, while the highs are crisp and detailed, adding a layer of brilliance to the overall soundstage. This earphone caters to audiophiles and music enthusiasts seeking a balanced and refined sound profile.Isolation and Comfort:The Salnotes Zero HiFi provides excellent noise isolation, immersing you in your music without interference from the outside world. The snug fit enhances this isolation while ensuring comfort during prolonged use. Whether you're commuting, working out, or simply relaxing, these earphones deliver an uninterrupted auditory experience.Cable and Connectivity:Equipped with a high-quality cable, the Salnotes Zero HiFi maintains signal integrity for a distortion-free listening experience. The detachable cable adds versatility, allowing users to upgrade or replace it as needed. The gold-plated connectors ensure a reliable and corrosion-resistant connection.Final Verdict:In the competitive landscape of in-ear monitors, the Linsoul 7Hz Salnotes Zero HiFi stands tall as a testament to precision engineering and audio excellence. From its captivating design to the sublime sound quality, every facet of this IEM is a celebration of audio innovation. For those who demand nothing but the best in their audio gear, the Salnotes Zero HiFi is a resounding choice that transcends expectations and delivers an auditory journey like no other.
I**O
Muy buen sonido en relación calidad/precio
Decidí comprarlos porque me entró la curiosidad de probar un IEM chifi. Actualmente tengo unos ATH SR50BT, que me gustan mucho conectados por cable(también son Bluetooth), pero me hacen sudar las orejas y no son cómodos de usar estando acostado, por eso quise probar algo más pequeño.El envío fue rápido y sin problemas, todo bien con el vendedor ya que no fue necesario interactuar.Sobre los 7hz Salnotes Zero, me enteré de ellos viendo reviews en YouTube y leyendo en la web. Había buenas opiniones y me parecieron una buena opción sobre los Moondrop Chu, los Truthear Hola y los Tangxu Wan Er, con un sonido equilibrado y coherente.Los Zero vienen en un empaque sencillo y pequeño, no incluyen estuche, cuentan con 6 pares de gomas de silicón para los oídos en diferentes colores, 3 con agujero estrecho para graves y 3 con agujero amplio para sonido normal. Yo personalmente uso las pequeñas, y en comodidad ese es mi punto, las gomas incluidas no son tan cómodas para mí, pero ese es un problema mío, siempre lo he tenido con todos los audífonos que se introducen en el canal auditivo, creo que necesito una medida un poco más pequeña. Ya que pruebe con otras gomas lo comentaré. El proceso de adaptación me ha tomado un poco porque llevo tiempo sin usar audífonos que se introduzcan en el canal auditivo, aunque en mi caso la sensación de incomodidad ya está pasando rápidamente después de unos dias, pero esa demora también es por como yo soy. Me gusta el cable desmontabke, se siente y funciona bien, fue un punto sobre los Chu.En cuestión de como suenan, el fabricante 7hz indica en el manual qsue antes de usarlos por primera vez se reproduzca musica suave por 10-30 horas con volumen moderado. Después la música que normalmente se va a escuchar a un volumen medio durante 100 horas. Lo que se conoce como un proceso de quemado(burning o breaking) para lograr el mejor sonido disponible en los IEM. Es como aflojar unos zapatos. No me di cuenta de esto, así que este proceso aún me hace falta, pero si he notado como va mejorando el sonido. Aún no cubro el periodo de tiempo indicado.He estado escuchando Rock en inglés y español, y algo de Pop 80's y 90's. En los graves suenan bien pero no son para amantes de los graves/basshead. Los medios (en donde van las voces) suenan muy nitidos y claros, muy disfrutables. Los agudos están muy bien y se notan. El ambiente o soundstage esta bien posicionado, no muy grande pero es adecuado, se colocan bien los instrumentos y la voces, tienen buena diferenciación. Un punto a notar es que la reproducción va a depender de la calidad de la grabación, una mala grabación no va a sonar excelente, pero te sirve para diferenciar cuando una grabación está bien hecha. Canciones como Sultans of Swing de Dire Straits tienen pegada y puedes captar todo muy bien. Me han servido para apreciar las grabaciones de Zoé en vivo. No son IEM con un rango Hi-Res pero se nota diferencia con grabaciones que solo son lossless.Los he probado con Amazon Music Unlimited, no sé porque pero me parece que sus grabaciones son mejores. También con Apple Music. He reproducido la música en mi Huawei Mate 20, que tiene un chip DAC, le da buen sonido y no es necesario subir el volumen más allá de la mitad para apreciar todo, pero con más volumen mi oído se satura, por lo cual no los uso a tope de volumen aunque no distorsionan, por lo menos con lo que he probado. Hice la prueba con una MacBook Pro 2015, y con mayor amplificación suenan mejor. No tengo un DAC dedicado pero es mi siguiente plan de compra. Me gustan, valen lo que cuestan. Los Audio Technica suenan mejor con cable, pero estos Salnotes Zero rinden bastante a un precio muy inferior y son bastante cómodos de usar. Hicieron que me anime a probar otros IEMs.Edit:Ya con más tiempo les puedo decir, efectivamente, se debe realizar el proceso de quemado para obtener el mejor sonido de los Salnotes Zero, las primeras horas de escucha pueden no ser agradables o decepcionar. Ya pasado el tiempo, se obtiene un sonido mas agradable, al principio puede parecer un poco metálico hasta que completa el proceso de quemado.Los he estado escuchando con un dongle 7hz 71, no tiene control de volumen, eso es una lástima porque puede ser muy abrupto el salto de volumen. Algunos consideran que el 7hz 71 se lanzó como complemento de los 7hz Salnotes Zero. Suenan muy bien en conjunto.Sobre los eartips o gomitas, van a afectar mucho el sonido. De las puntas incluidas con los Zero, las más abiertas producen un sonido un poco más agudo, lo cual al subir el volumen es molesto en mi oído derecho. Las más cerradas controlan los agudos y mejoran los graves. Con las puntas incluidas el sello es muy bueno. Compré unos eartips de silicon de TRN, me funcionan muy bien, me gustan a veces más que las de 7hz, otras veces prefiero las de 7hz, el sonido de TRN es intermedio entre las abiertas y cerradas de 7hz. También de TRN compre unas eartips de Memory Foam, el aislamiento acústico es muy bueno, mejor que las de silicon, pero se pierde agudos, te pueden funcionar muy bien para el transporte público.Canciones como "Thunderstruck" de AC/DC suenan geniales, se puede identificar cada instrumento con buena distribución y sonido. "Take on me" de A-ha suena que da gusto, buena distribución y con detalles. "Year of the Cat" de Al Stewart realmente enamora los oídos, los detalles son muy claros con buen soundstage. "Aquí no es así" de Caífanes tiene buen bajo, se notan los detalles generales. "Las batallas" de Café Tacuba es otra canción que suena espectacular, las guitarras acústicas tienen muy buen sonido y en general se disfruta muy bien.He leído que algunos tienen problemas con uno de los audifonos, con menor volumen o ha dejado de sonar, probablemente los usaron después de bañarse o les entró cera de los oídos, deberían intentar destapar la rejilla(si hay cera obtaculizando) o meterlo una bolsita para la húmedad donde guarden los Zero. Desde que leí sobre eso, empece secarme bien los oídos después de bañarme.En definitiva, recomiendo los 7hz Salnotes Zero, por su precio, ofrecen mucho, podrían ser mejores pero eso subiría el precio, a veces pueden ser un poco agudos de más, lo cual obliga a bajar el volumen. Pero eso depende más de la grabación. Encargué unos Truthear Hexa, después les hago la compartiva.
D**A
Top Tier Twenty Dollar IEM
The 7Hz Salnotes Zero directly competes with the similarly priced Moondrop Chu.Overall, the Zero and the Chu are neck-and-neck in terms of sound quality. They each have certain strengths and weaknesses compared to the other, but both put other options at the price point to shame. The two IEMs also make different trade-offs in terms of build and accessories. While buyers will need to weigh which characteristics they value more in choosing between the two, both are solid buys for $20.SOURCES:I have used the 7Hz Salnotes Zero with the following sources:Qudelix 5KHidizs S9E1DA 9038DPACKAGING AND ACCESSORIES:The 7Hz Salnotes Zero comes in a small white cardboard box. The packaging features pictures of the Zero on the front and back covers.In addition to the IEMs and detachable 2-pin cable, the Zero includes six pairs of silicone eartips in several varieties. These appear to be the same varieties described in my Dioko review:The red, blue, and orange pairs are squatter and more conical in shape and feature wider nozzles. The light blue and yellow eartips are more round with narrower nozzles. The pink pair is also round but with wider nozzles than the other round eartips.The pair of eartips resembling AZLA SednaEarfit Crystal eartips included with the Dioko is not included with the Zero. The Zero includes a product information card and a user manual written in English and Chinese, as well as a small velcro tie. The Zero does not include a carry pouch or case.BUILD QUALITY AND DESIGN:The 7Hz Salnotes Zero has a two-part plastic chassis with a stainless steel faceplate. The faceplates have a jagged, angular outline. “SAL♪NOTES ZERO” is laser-etched at the base of each faceplate. There is a small circular rivet at the top of each faceplate. The faceplates have developed minor scratches over the course of my review.There is a small circular recession on the inside of each chassis with an embossed “L” or “R” indicator. There is also a pinprick vent at the base of the nozzle. The nozzles have the same metal and paper nozzle covers as the Dioko, and have extruded lips to secure eartips.The 2-pin connectors are very snug and quite difficult to remove. The 2-pin connectors fit flush with the surface of the IEM housing body. Each 2-pin entry site is marked with a small red dot to indicate polarity.The included 2-pin cable has two strands that are joined in parallel below the Y-split. The cable uses a mix of metal and dark plastic hardware. The cable jack has a straight form factor. “SAL♪NOTES” is printed in white along the length of the jack housing. There is strain relief above the jack housing but none at the Y-split. The cable has pre-formed earguides without memory wire and a rubber chin-adjustment choker. The curved 2-pin housings have faintly raised “L” and “R” markings. The cable is mildly microphonic.COMFORT, FIT, AND ISOLATION:The 7Hz Salnotes Zero is intended to be worn cable-up. The earpieces have a shallow insertion depth. I found the Zero to be very comfortable. However, secureness of fit is below average and the housings required occasional readjustment with most eartips I tried the Zero with. Isolation is fairly poor. There is mild driver flex.SOUND AND COMPARISON TO THE MOONDROP CHU:The 7Hz Salnotes Zero is tuned very similarly to the Moondrop Chu.Like the Chu, the Zero has a Harman-ish sound that emphasizes sub-bass over mid-bass, features a robust pinna gain region, and slopes downward from the pinna gain region through the upper treble.The biggest tonal difference between the Chu and the Zero is that the Zero’s pinna gain region peaks later than the Chu. The Chu’s pinna gain region is centered around 3 kHz, while the Zero’s peaks later at around 3.5 kHz. This is a subtle difference, but depending on your ear physiology, may impact which of the two IEMs vocals sound more natural with. The Zero has a twinge more measured sub-bass than the Chu, although the difference between my samples is so small that this may be a question of unit variation rather than intended tuning. Subjectively, I feel that percussion actually has a greater impact on the Chu than the Zero. The Chu also has a hair more upper treble extension than the Zero.The Zero’s sub-bass shelf is mild in its amplitude, and sub-bass extension is average. Bass articulation and resolution are both very good. The Zero’s bass is well-textured for the price but is lacking in impact. The result is a clean but underwhelming bass tuning. After hearing the Chu and now the Zero, I have come to believe that if an IEM opts for a pure sub-bass shelf, the amplitude of that shelf needs to be greater than what either of these IEMs displays. The bass does not bleed into the lower mids.The Zero’s midrange is on the cooler side. Male vocals have grit but are slightly lacking in warmth. The amount of body to male vocals is somewhere in between these two other qualities. Female vocals are slightly more forward than male vocals, though both are very intelligible. Female vocals do sound more natural on the Chu than the Zero. On the Zero, there is a hint of strain and sibilance. On the Chu, female vocals are just slightly more grounded. With that said, the Zero’s midrange clarity is astonishing for an IEM of this price. The level of presence is essentially perfect for heavy rock genres. Timbre is slightly dry but natural sounding overall.The Zero has slightly less lower treble energy than the Chu, which I prefer. Like the Chu, the Zero has a noticeable drop-off in the mid-treble which deprives cymbal hits of sparkle. While the Chu has better upper treble extension than the Zero, the Zero has slightly crisper treble transient delivery. The Chu has a larger soundstage and slightly better detail retrieval. Imaging between the two is comparable. The Zero has the best instrument separation I have heard on an IEM at this price.AMPLIFICATION REQUIREMENTS AND SOURCE PAIRING:The 7Hz Salnotes Zero does not need a powerful source to reach a usable listening volume. I did not notice hiss with any of my devices.
P**
5/10
Działają niby ok ale nie wiem czy tylko w mojej wersji ale mało dołu. Bassu prawie jak by nie było. Reszta mikrofon i środek ok.Poprzednia parę odesłałem ze względu na zepsuty mikrofon.Produkt nie spełnił oczekiwań. Miały grać przyzwoicie za tą cenę ale niestety nie grają.
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