

🎬 Elevate your storytelling with the GH7 — where pro video meets powerhouse precision.
The Panasonic Lumix DC-GH7E is a professional-grade Micro Four Thirds mirrorless camera body featuring a 25.2MP BSI CMOS sensor, advanced Phase Hybrid autofocus with 236 points, and unlimited internal 4K 60p 10-bit 4:2:2 video recording including ProRes Raw HQ. Designed for hybrid shooters, it combines high-resolution stills and cinema-quality video with robust image stabilization (Dual I.S. 2 and Active IS), a durable weather-sealed body, and a versatile free-angle OLED viewfinder. USB-C charging and seamless social sharing via the LUMIX Lab app make it a cutting-edge tool for content creators who demand precision, speed, and reliability in any environment.





| ASIN | B0D6RTT1X1 |
| Age Range Description | All ages |
| Aperture modes | F1.8-F22 |
| Are Batteries Included? | No |
| Aspect Ratio | 4:3 |
| Auto Focus Technology | Hybrid |
| Autofocus | Yes |
| Autofocus Points | 236 |
| Best Sellers Rank | 53,034 in Electronics & Photo ( See Top 100 in Electronics & Photo ) 106 in Mirrorless Cameras |
| Bit Depth | 10 Bit |
| Box Contents | Camera Body Only |
| Brand Name | Panasonic |
| Camera Flash Type | no flash |
| Camera Lens | This digital camera is compatible with Telephoto lenses, offering optical zoom capabilities for detailed shots. |
| Colour | Black |
| Compatible Devices | Computers, smartphones, tablets, external storage devices |
| Compatible Flash Memory Type | SD |
| Compatible Mountings | Micro Four Thirds |
| Continuous Shooting Speed | 10 FPS |
| Crop Mode | 4:3 |
| Customer Reviews | 4.9 4.9 out of 5 stars (24) |
| Digital Zoom | 10 x |
| Digital-Still | Yes |
| Display Fixture Type | Articulating |
| Display Maximum Resolution | 1920 x 1080 |
| Display Type | OLED |
| Dots Per Screen | 1840000 |
| Effective Still Resolution | 25.2 |
| Expanded ISO Maximum | 25600 |
| Exposure Control | Automatic, Manual |
| File Format | MP4, RAW |
| Flash Memory Bus Interface Type | UHS-II |
| Flash Memory UHS Speed Class | UHS Speed Class 3 |
| Flash Memory Video Speed Class | 30 or V30 |
| Flash Modes Description | Automatic |
| Focus Features | Hybrid |
| Focus Mode | Continuous-Servo AF (AF-C) |
| Focus Type | Auto and manual focus |
| Form Factor | Mirrorless |
| Generation | 7 US |
| Has Color Screen | Yes |
| Image Capture Type | Stills & Video |
| Image Stabilization Type | Body, Dual 2, Active |
| Item Weight | 805 Grams |
| JPEG Quality Level | Fine |
| Lens Construction | mirrorless |
| Lens Type | short NA |
| Manufacturer | Panasonic |
| Manufacturer Part Number | DC-GH7E |
| Maximum Aperture | 1.8 Millimetres |
| Maximum Display Resolution | 0.7 MP |
| Maximum Image Size | 25.2 MP |
| Maximum Shutter Speed | 2 seconds |
| Metering Methods | Center Weighted |
| Minimum Shutter Speed | 0.0083 seconds |
| Model Name | GH7 |
| Model Number | DC-GH7E |
| Model Series | GH |
| Movie Mode | Yes |
| Network Connectivity Technology | USB |
| Night vision | No |
| Optical Zoom | 1 x |
| Phase Detection Sensor Points | 1 |
| Photo Sensor Size | 2/3-inch |
| Product Features | Phase Hybrid AF, image stabilization (B.I.S, Dual I.S 2, Active I.S), 4K/60p video recording, ProRes Raw HQ and 32-bit float recording |
| Real Angle Of View | 84.1 Degrees |
| Rear Webcam Resolution | 25.2 MP |
| Recording Capacity | 1750 Minutes |
| Remote Included | No |
| Screen Size | 3 Inches |
| Self Timer | 10 |
| Sensor Type | BSI CMOS |
| Series Number | 7 |
| Shooting Modes | Program, Aperture Priority, Manual, Movie, Sports, Night, Macro |
| Skill Level | Professional |
| Specific Uses For Product | Videography, Vlogging |
| Supported Image Format | RAW |
| Total Still Resolution | 25.2 MP |
| Total USB Ports | 1 |
| Total Video Out Ports | 1 |
| Touch Screen Type | Capacitive |
| Video Capture Format | ProRes Raw |
| Video Capture Resolution | 4320p |
| Video Output | HDMI |
| Viewfinder Magnification | 1.0x |
| Viewfinder Type | Electronic |
| White Balance Settings | Auto |
| Wireless Technology Type | Wi-Fi |
| Write Speed | 120 fps, 60 MB/s |
| Zoom | Optical Zoom |
R**G
Huge Upgrade from GH5
I have been shooting professionally with Panasonic GH series cameras since the GH4 was released 10 years ago. In 2017 I added the GH5 as my main camera and kept the GH4 as a B cam / drone cam. I bought a GH5S in 2021 (which is mainly used on a gimbal, now recording ProRes Raw to a Ninja V) and retired the GH4. The GH5S is a keeper, but I skipped the GH6 and nearly moved to the full frame S series with phase-detect AF until the flagship M43 GH7 was announced. It's like Panasonic has really listened to their GH user base with this camera: internal ProRes and ProRes Raw, phase-detect autofocus, open gate recording, 32bit internal audio (with the DMW-XLR2), and - amazingly - optional ARRI LogC3 which will be a major bonus for us flying the GH7 on a drone on sets with ARRI Alexas. Moving from the GH5 to the GH7 is quite a change in body style, the GH7 is much chunkier and has a deep grip on the right hand side. Ergonomically it's much more video-centric than the previous models in the series, with nice additions such as a record button on the front by the lens, and tally lamps front and rear. As much as I loved the handling of the GH5, the GH7 is a real joy to hold. I have mine in a Smallrig cage with a wooden handle on the left. Because I use the DMW-XLR2 audio adapter I can't use a top handle, the wooden handle is very useful for picking the camera up. It's by no means a small camera, considering the sensor size it's actually larger than the full frame S5 series, however they have packed a lot of high tech into the GH7, plus a fan to keep all the tech cool for unlimited recording (which you can barely hear). Gone are the two SD card slots, one having been replaced with a CFExpress Type B for fast internal storage. ProRes can only be recorded to the CFExpress card internally (or via an external monitor such as the Ninja V, or a USB-C external SSD), but the standard Panasonic codecs can write to both. It can also record ProRes / ProRes Raw to the CFExpress card and proxy media to the SD Card (and you can bake in LUTs with the later). I use native MFT lenses on my GH5S but on the GH7 I use the ubiquitous Canon fit Sigma 18-35 f/1.8 Art on a Metabones Speed Booster Ultra, along with the Sigma 24-105 f/4. The Speed Booster makes the 18-35 into a 13-25 f/1.3 lens, and the 24-105 to a very useful 17-75 f/2.8. I also use a Sigma 150-600 f/5-6.3 which is a fast f/3.5-4.4 with the Speed Booster. Metabones has recently released a firmware upgrade for their Speed Boosters and adapter rings that enables the phase-detect autofocus, my Sigma lenses focus pretty much as quickly and accurately as native glass. The phase-detect autofocus is a huge improvement over Panasonic's depth from defocus AF implementation on the previous GH cameras. This video was shot with the Sigma 24-105 f/4 wide open, using full area AF with subject detection. It keeps focus during zooming perfectly, with no hunting that was prevalent with the previous AF, even on native lenses. I tend to use manual focus for most of my productions, but given how quick and accurate it now is I may start using it for more dynamic scenes. There's just so much more to go into with this camera that I could spend the day writing this review. Suffice to say it's a phenomenal upgrade from the GH5 (and the phase-detect autofocus alone is a worthy upgrade from the GH6). It also excels at photography with its 25MP sensor, in fact all the photocentric features of the G9 II made it in to the GH7, so it's a true hybrid camera. If you have invested in MFT lenses, or like myself use an EF-MFT Speed Booster with fast EF Sigma lenses then from a video perspective it's a no-brainer to go for the GH7. There's a lot of new features that may not make it in to Panasonic's full frame cameras (the ARRI LogC3 being one of them), and now with the phase-detect autofocus it's a serious contender to the Sony and Canon hybrid cameras. If you have no MFT lenses, or maybe a GH4 with a 12-60 kit lens then it could make sense to go for a full frame camera, especially if you plan to use it for photography as well, but the GH7 really shines as a hybrid videocentric camera that takes great photos. Also, high quality lenses tend to be a bit cheaper than their full frame equivalents, and generally smaller and lighter which can make a difference shooting hand held for long periods. Overall I am delighted with the GH7, and glad that I passed on the GH6 (which is still a great hybrid camera). Shooting ProRes and ProRes Raw internally is a game changer, the phase-detect AF is up there with Sony and Canon, and the 32bit float internal audio is a first for any camera, no more worrying about clipping audio!
G**S
Great camera, I work with the Sirui night vision series and I'm totally satisfied.
C**O
Conforme à ce que j'attendais.
A**O
Lumix ha raggiunto un livello incredibile con questa GH7 (considerando il prezzo irrisorio). Una macchina solidissima con prestazioni di autofocus eccezionali (ovviamente dipende anche dagli obiettivi utilizzati e dagli aggiornamenti firmware degli stessi) e formati di registrazione innumerevoli. Con una buona scheda CFEXPRESS si può registrare in PRORES RAW senza il minimo problema e senza utilizzare scomodi SSD esterni e cavi di collegamento, lasciando così libera la porta USB-C. Se potessi metterei 10 stelle alla mia valutazione.
L**Z
Llevaba tiempo queriendo cambiar mi GH5 a otra de la misma linea y por fin la pude adquirir. Me encanta el enfoque es perfecto, los colores super bonitos y vivos, mil opciones de grabaciones que tiene.
P**T
Je ne dirai rien du GH7 lui-même, tout le monde sait qu'il est très bien, je veux juste donner ma première impression sur le service "seconde main" : j'ai commandé ce GH7 à Amazon seconde main (donc occase), il était dit "comme neuf", eh bien oui, il est comme neuf, la boîte est neuve, l'appareil est sans aucune marque, j'ai juste vu un grain de poussière sur le capteur, un coup de soufflette et plus rien, mise en route parfaite, je mets 5 étoiles à Amazon seconde main !
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