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Desde luego Garry Kvistad es un crack Supo ver la oportunidad hace más de 40 años Tuvimos la oportunidad de escuchar un carrillón suyo en Phoenix durante meses. Se me grabó ese fantástico sonido cuando hacía viento Tiene decenas de ellos en su web y puedes escucharlos todos En fin !! sencillamente un instrumento excelente

Ho un altro acchiappasogni della solita marca da quasi 20 anni e sempre tenuto fuori dalla porta di casa. Abito in riva al mare e si sono soltanto un po ossidate ( dopo 20 anni avrei creduto peggio). Per cui ho ricomprato la stessa marca e sono molto soddisfatta xche’ il suono e’ a dir poco celestiale! Prodotto Top!

I actually bought three different sets of Woodstock Chimes, each tuned to a different scale, not for any conventional purpose but for my 'Wind Chimes in the Wild' field recording project. For this I would take one or more sets of chimes out to a carefully chosen reasonable wild place, hang them up on trees alone or in various combinations where there was sufficient wind, and make longish recordings of the whole natural soundscape, incorporating the particular chimes sounds. These recordings have proved to be exquisitely beautiful, and my plan is presently to arrange commercial produce-on-demand CD productions of many of those recordings, which would then go up on Amazon.com. In the meantime I am putting a 5-minute excerpt of each recording up at Freesound.org (my personal website links through to all that). The full length recordings of combinations of the chimes are not soporific like the commercial recordings of wind chimes as 'relaxation' sound, but are in some cases quite as engaging as a work of symphonic music. I chose the 'silver' finish version of each set of chimes, because listening tests on other sites that gave short sound samples of the respective chimes to listen to showed that the 'silver' finish ones had an altogether brighter, 'sunnier' and more 'open' sound, I think because the various alternative finishes somewhat subdue the higher overtones. The Chimes of Pluto are the smallest set that I bought, and thus are higher-pitched, but not at all so high as to become New-Agey little tinklings. Their tones ring out clearly in the radiant pentatonic scale that they have been precision tuned to. The sound is radiant, with a happy feel and tending to emphasize a particular major chord. Curiously, in the recordings that I have made of combinations of the Pluto chimes with the Chimes of Olympos or / and the Tenor Gregorian Chimes, the Pluto chimes seem to have a completely different musical personality. Then, instead of sounding radiant and 'happy', although still being an uplifting element in the overall sound picture, they give at least me the impression of being more like a commentating chorus in some Ancient Greek tragedy. Curious and intriguing! Anyway, I have to say it - the sound of any and all of those chimes is beautiful beyond description and is far removed from the popular image of wind chimes as being just New-Agey sweet little tinklings. Okay, part of the equation here is the way that I, a composer with a highly sensitive musical ear, am using and recording them in a manner that gets the best out of them, but I think few reasonably sensitive people would not be moved by the beauty of sound of any of these three sets that I bought. I cannot commend these chimes too highly. My own preference is for a well balanced timbre, with a clearly audible and reasonably even spread of overtones, right into the highest reaches of the audible frequency range, and these silver finish ones seem to fit the bill admirably. Update, 21 November 2013: During the spring and early summer of this year I obtained a succession of the most exquisitely beautiful recordings of various combinations of the Pluto chimes with the Woodstock Polaris, Mercury and Mars chimes on Cornish clifftops, with sea action ranging from gentle, through 'interesting' to outright dramatic. I now have available a big range of my recordings of 'Wind Chimes in the Wild', which you can find if you Google "philip goddard e-store" (not in quotes), some of which include the Pluto chimes.

Au top, je pense qu'il est difficile de trouver mieux que les Woodstock chimes, le rapport qualité-prix est imbattable.

Bin einfach begeistert: Ich habe das Windspiel „Mars“ jemandem abgekauft, dem die Töne zu hoch waren. Ich habe das absolute Gehör und bin extrem empfindlich, wenn es um Töne geht. Das Windspiel Mars hat mich dermaßen begeistert, dass ich mir noch „Pluto“ bestellt habe. „Pluto“ ist eine Oktave tiefer als „Mars“ und klingt sehr angenehm und beruhigend. Die Klangstäbe werden sanft und ausgewogen angeschlagen, die Töne sind klangrein. Man merkt, dass hier ein Musiker mit Sachverstand wirkt. Wertige Verarbeitung, sehr sorgfältige Verpackung, das Windspiel lässt sich gut und einfach aufhängen und ist auch eine sehr ansprechend gestaltete Dekoration. Wer musikalisch geschult ist und entsprechend hört, hat hier wirklich Freude daran. Es erklingen die Töne d, f, g, b, c und noch zusätzlich das d eine Oktave höher.