---
product_id: 1357240
title: "Script Supervising and Film Continuity 3rd Edition"
brand: "pat p. miller"
price: "E£ 8629"
currency: EGP
in_stock: true
reviews_count: 13
url: https://www.desertcart.com.eg/products/1357240-script-supervising-and-film-continuity-3rd-edition
store_origin: EG
region: Egypt
---

# Script Supervising and Film Continuity 3rd Edition

**Brand:** pat p. miller
**Price:** E£ 8629
**Availability:** ✅ In Stock

## Quick Answers

- **What is this?** Script Supervising and Film Continuity 3rd Edition by pat p. miller
- **How much does it cost?** E£ 8629 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.eg](https://www.desertcart.com.eg/products/1357240-script-supervising-and-film-continuity-3rd-edition)

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- pat p. miller enthusiasts

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## Description

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![Script Supervising and Film Continuity 3rd Edition - Image 1](https://m.media-amazon.com/images/I/61rs1PMbXqS.jpg)

## Customer Reviews

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    Necessary resource, if unglamorous treatment
  

*by (***X on Reviewed in the United States 🇺🇸 on March 15, 2005*

Miller's book provides the necessary foundational data one will need before getting into script supervising. Her writing doesn't exactly scintillate with humor like some of the new "guerilla filmmaking" books out there today -- she tends to write like a 1950s schoolteacher, precise and methodical -- but in an admittedly esoteric specialization of the industry where there are only a few books on the topic available, you really don't have a lot of options and you'll need this book. It's NOT sufficient for giving one the complete training needed to actually work as a script supervisor, however. Whoever wrote that you can learn what you need to know "on set" is just asking for trouble -- it's like thinking you can read a book on piloting an airplane and just get behind the yoke and learn "what you need to know" in the air. On a "real" film set (not some zero-budget digicam or student project that no one will ever see) mistakes are EXPENSIVE. Mistakes by a poorly trained s.s. can cost thousands of dollars (not including the cost of therapy when the director and editor go bonkers trying to cut the film from the scripty's notes.) Trying to learn on a "real" set could make it the first and the last real movie set you'll ever work on. I value Miller's book but it must be combined with a good course of study with a real-life teacher who can answer your questions. A course that includes on-the-job training and followup and information on how to research and obtain real jobs doing script supervising is critical -- obviously no book can contain all this. I found Jim Kelly Durgin's course to be helpful in this regard, and there may be others out there too if you look for them. BTW, I don't feel that the 3rd edition of the Miller book is substantially different or better than the 2nd, so if you need to save some money, you'll do just fine with the  2nd edition. I agree that she is old-fashioned (she doesn't deal _at all_ with the new continuity software on the market, a huge omission) but, again, there aren't that many books about this subject readily available.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    Excellent book, but becoming dated
  

*by C***Y on Reviewed in the United States 🇺🇸 on February 5, 2013*

As a beginning Script supervisor, this book was recommended first and foremost by everyone who I spoke to about training. It does cover all the necessary functions of a script supervisor. If you're looking for comprehensive coverage of the job then this book will do it.The limitations are that it is an old book. The last revision occurred 14 years ago when using the internet and computers to script supervise were starting to take hold. Now with that said, I've worked on numerous film set, some of them in the tens of millions of dollars, and most script supervisors still didn't use a computer, so it isn't essential. Commercials are another story and nearly all of them with major accounts that I've worked on (in non-script roles) the scripty used a computer.Another issue I've noticed is that film really isn't used much on many films. Everything is digital so there is much more dead footage because the director decides to keep rolling and take from the top. If you're not on top of stuff, you'll quickly lose track of what's going on. Experience and mentoring count for a lot.Still if you need an introduction then this is the go-to book for script supervising.

### ⭐⭐⭐⭐ 4.0 out of 5 stars







  
  
    You order something...
  

*by A***. on Reviewed in the United States 🇺🇸 on May 22, 2021*

So it came a day late, but I received it. This book is and will be very helpful towards my film making. Thank you and I will pass the word along to help you and others out with their endeavors.

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*Product available on Desertcart Egypt*
*Store origin: EG*
*Last updated: 2026-03-11*