---
product_id: 15625160
title: "Crash - The Director's Cut (Two-Disc Special Edition)"
brand: "karina arroyavedato bakhtadzepaul haggis"
price: "E£ 1592"
currency: EGP
in_stock: true
reviews_count: 8
url: https://www.desertcart.com.eg/products/15625160-crash-the-directors-cut-two-disc-special-edition
store_origin: EG
region: Egypt
---

# Crash - The Director's Cut (Two-Disc Special Edition)

**Brand:** karina arroyavedato bakhtadzepaul haggis
**Price:** E£ 1592
**Availability:** ✅ In Stock

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- **What is this?** Crash - The Director's Cut (Two-Disc Special Edition) by karina arroyavedato bakhtadzepaul haggis
- **How much does it cost?** E£ 1592 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.com.eg](https://www.desertcart.com.eg/products/15625160-crash-the-directors-cut-two-disc-special-edition)

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## Description

Crash - The Director's Cut (Two-Disc Special Edition)

## Images

![Crash - The Director's Cut (Two-Disc Special Edition) - Image 1](https://m.media-amazon.com/images/I/81pCoQ0k7DL.jpg)
![Crash - The Director's Cut (Two-Disc Special Edition) - Image 2](https://m.media-amazon.com/images/I/81zWVZNDyJL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Anger and Change
  

*by C***R on Reviewed in the United States on February 22, 2016*

The one thing this film’s detractors simply cannot abide, or forgive, is the auto wreck rescue scene with Matt Dillon and Thandie Newton.  They either refuse to accept the officer’s ability to change bigoted attitudes the way he ostensibly does, or they’re too offended by what they see as the scene’s representation of black dependency on white benevolence.  These are fair objections.  But the refusal to question their assumption about inability to change is a prejudice all its own.  Crash is a film about, more so than anything else, assumptions, and it asks everyone to question two assumptions, about anger and change, with wide-ranging implications for how people get along in the world.The common assumption about anger says that conflict among people, say racial conflict, triggers fear then anger.  But here are some new premises to consider.  Bear with me--there is a cinematic point here.  There’s a school of thought that says “race” is a fabrication, a social construct, a piece of fiction created by the mind (to, say, rationalize subjugation).  If one considers that there are virtually no biological differences among humans, that there’s only one human species, this thinking is correct.  It’s also widely accepted in psychology that there is in life for most people a certain inherent anxiety, a persistent low intensity fear that compels us to look around for threats--an inheritance from thousands of years of evolution (an adaptive function), even if different people today experience that anxiety in different ways.  It follows that perceived threats in the environment (say, for instance, different skin color) can easily trigger that anxiety, then the closely related emotion anger (“… anger is the subjective experience that accompanies aggressive impulses.” [Averill]), then aggression that may follow.  In other words, people have a built-in anxiety that, in a sense, looks around for threats real or perceived.  Racial difference turns out to be one of those threats, even if a social construct.  The threat intensifies anger (in preparation for aggression).  The anger produces conflict, even if the threat was a perceived one.  So that racial conflict doesn’t precipitate anxiety and anger, even if it feels that way.  But rather anxiety and anger predicate the construction of race and then precipitate racial conflict.  It’s a massive corruption of the adaptive functions of these emotions, originally intended to keep us safe but now causing conflict.  “Different” may seem to be the problem, but it’s really not. The problem isn’t on the outside, it’s on the inside--anxiety and anger.  That’s the Crash.  From anger that becomes crippling, the folks in this film are crashing into their own selves, and they’re forced to question their assumption about the origin of their anger … just as the film asks you to question yours.  How Socratic!Crash involves racism, but it isn’t about racism.  It’s about anger and change: recognizing the control anger has in our lives (like an addiction) and making a decision to change that, to give it up, to surrender it.  All of the characters are dealing with an unbridled anger which they need to let go of before it destroys them.  We may have to accept the inherent anxiety.  But when the old way of being doesn’t work anymore, when there’s just too much pain, the anger can be changed, even if an emotional crisis is usually needed to do that.  The inability for this kind of change is the second assumption the film asks you to question.  And the film-makers are making their case that if we question the origin of our anger, we can let go of some of it, allowing people to change both themselves and the way they get along with others.There’s a spectacular heartbreak to the way these crises are portrayed, especially by Terrence Howard, who is unforgettable.  And there’s a real artistry to this film that makes it a both exhilarating and thoughtful rendition of the transformative power of pain.  Full of anguish, defiance, courage, humor, and beauty, Crash is a gorgeous, even if at times difficult, parable about change and hope.  Twelve years after its release, it's clear its Best Picture Oscar was well deserved.  The film may be a bit too much for some.  But for others, it’s what cinema is all about!  Roger Ebert wrote of this picture, “Not many films have the possibility of making their audiences better people.”  But when art reaches deep into the viewer and touches both feeling and thought, that art can change people in ways that may last a lifetime.  What nobler purpose is there of art.  Crash is that kind of art.  It acknowledges the mystery of life and, in portraying that mystery so elegantly, helps the viewer make peace with it.  And wouldn’t we all eventually like to be able to say, in Pat Conroy’s beautiful words (from The Prince of Tides), “It is the mystery of life that sustains me now.”

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Best Picture Oscar. Hell yea.
  

*by J***Z on Reviewed in the United States on August 16, 2024*

The people who dislike this movie either ARE the people in the movie or completely miss the point of it. Outstanding cast!  I bought it cold from a DVD bin at Sprawlmart before it was even nominated just for all the A-list stars.

### ⭐⭐⭐⭐⭐ 5.0 out of 5 stars







  
  
    Proof of Fate? Das Schicksal? Randomness? Bestimmung? Destiny? - Read On for Mind-Blowing!
  

*by J***N on Reviewed in the United States on March 16, 2022*

In the last line of this film, you will hear a Black woman say, “Don’t talk to me unless you speak American.”  What?This film accurately depicts the randomness and chaos in life, along with fate and racism, maybe even destiny… as we make our feeble attempts to control it all.  You decide.  However, the film fails to address the root cause of racism, especially how racism is learned, many times inculcated since birth by many parents with little to no skills thereby perpetuating further hate and violence on this planet, along with all of its associated sadness and heartbreak.  With scenes of love and transformation, it keeps the viewer wanting more.  Now this…Almost 4-decades ago, I met a man, randomly… so I thought.  He taught me how to fly using his personal 1943, Beechcraft Staggerwing D-17s (a large, red biplane) and a Luscombe 8c, along with a couple of other aircraft.  He was a retired American Airlines captain and his name was Jess E. Shryack (Godspeed, Captain Shryack).I went on to become a professional pilot (among many other professions), which a kid from my background and economic status could never have dreamed possible.  I recently attributed the encounter with Captain Jess “Cappy” Shryack to fate, not randomness… maybe even destiny?  In fact, although not featured in this film, Captain Shryack also taught John Travolta to fly the Boeing-707… and Jess never even told me.  I only discovered that fact after Cappy’s death in 2008.Here’s the mind-blowing part of it all - At least it was for me.  As I viewed the credits at the end of this film, I realized just how much fate, randomness, chaos, destiny, violence, love, true friends and good parenting were a significant determining factor in my life.  How?It turns out that the Boom Operator for this film (see Crew Credits at the end) is the youngest son of Captain Jess Shyrack (Joel Shryack)… the son of that random man that taught me to fly so many decades ago.  This “randomness” has been verified and documented – I had forgotten the single time I so briefly met Joel almost 34 years ago in Justin, Texas at the Flying “S” Farm where I initially learned to fly airplanes.There are no such things as coincidences.  Know that!  Pay attention to the random events, chaos and all the rest.  It might just change your destiny, or fate, too.  Stay close to God!  – James M. Paton, Waco, Texas – a retired, albeit broken, professional pilot, etc… and like in the film… with a loser for a “brother."

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*Product available on Desertcart Egypt*
*Store origin: EG*
*Last updated: 2026-01-27*