--- product_id: 227528914 title: "Moonlight - Digital HD [4K UHD]" price: "E£ 3841" currency: EGP in_stock: true reviews_count: 13 url: https://www.desertcart.com.eg/products/227528914-moonlight-digital-hd-4k-uhd store_origin: EG region: Egypt --- # Moonlight - Digital HD [4K UHD] **Price:** E£ 3841 **Availability:** ✅ In Stock ## Quick Answers - **What is this?** Moonlight - Digital HD [4K UHD] - **How much does it cost?** E£ 3841 with free shipping - **Is it available?** Yes, in stock and ready to ship - **Where can I buy it?** [www.desertcart.com.eg](https://www.desertcart.com.eg/products/227528914-moonlight-digital-hd-4k-uhd) ## Best For - Customers looking for quality international products ## Why This Product - Free international shipping included - Worldwide delivery with tracking - 15-day hassle-free returns ## Description A timeless story of human self-discovery and connection, Moonlight chronicles the life of a young black man from childhood to adulthood as he struggles to find his place in the world while growing up in a rough neighborhood of Miami. Review: The brotherhood of all human beings made manifest in a film worthy of widespread recognition and acclaim - After the confusion surrounding the end of this year's Academy Awards telecast, I screened both "La La Land" and "Moonlighting." I suspected the judges had ultimately chosen the wrong picture, since I'd bought the endorsements of "La La Land" as a pleasant entertainment that at least put its big budget to good use in bringing back a movie genre that,was in itself an accomplishment worth celebrating. By contrast, the line on "Moonlight" was: low budget film made in part to rectify the previous year's exclusive focus on an "all-white Hollywood" while assuring the left that the progressive values of a stereotypically "liberal" celebrity culture were still intact. Happily, both films rise above such early, superficial categorization. Despite undeniable flaws, "La La Land," is neither a stereotypical musical nor an excuse for two hours of escapist diversion. It pays respect to its noble forbears while reflecting the culture of a new generation. Throughout it manages to maintain a place between fantasy and realism, presenting a character who refuses to give up on jazz as a dying art. But to this writer, who is passionate about jazz and a fan of Astaire's '30s musicals, the film could have used either a few extended stretches of mainstream jazz or songs approaching the timeless standards sung by Astaire in "Top Hat" (Berlin) or Kelly in "American in Paris" (Gershwin). "Moonlight" is not without its own flaws. But it uses its minimal resources ($1.5 million, a pittance in movie-making terms) to maximum effect, thanks to an inventive screenplay, a cast of actors who look and play their roles with striking verisimilitude, and a tone-sensitive camera, that knows when to create meanings as a participant in the action and when to hold off and simply record unfolding meanings. Upon reflection, the film creates questions without answering them. Why is all the blame on Chiron's mother? Are there no extenuating circumstances to explain her failure as a mother? What happens to Chiron's surrogate father, Juan (a charismatic, memorable performance by Mahershala Ali in the first third of the film)? What explains Juan's attraction to Chiron ("Little") in the first place? And why does the grown Chiron ("Black") resemble Juan to a far greater degree than himself? (The first two Chirons have thin body frames and narrow, long-shaped heads, congenital physical traits that no amount of build-building could change.) Is there a resemblance between Juan and Chiron beyond their success as self-made men of integrity who use their restraint and magnetism to become successful magnates in the business of "trappin'" (i.e. kingpins in the crack trade). And do we really have any reason to expect Chiron's life to end less abruptly than Juan's? Still, the film has an emotional impact that erases the viewer's misgivings over details like the forgoing. Many musicals have caused me to well up, leaving me spellbound during the progress of a lyrical story and unable to speak at the end. "La La Land" left me with some of the same deeply satisfying "fullness" as "Singin' in the Rain," "An American in Paris," "Swing Time" and "City Lights." But "Moonlight" packs the harder punch, building to a climax in a scene which focuses on a "meal" being cooked with the most loving care by Chiron's old friend, Kevin, now working as a cook in a pedestrian diner where Chiron reunites with him. The moment transcends time and place in the painstaking care with which Kevin prepares a meal for his long-absent friend. His care is that of a mother preparing a royal feast on the occasion of her son's return from a bloody war. For this viewer, it resonated with the film "Babette's Feast" and with the New Testament miracles performed by Jesus at weddings, sermons and suppers--each a testimony to the role of "service" and to the presence of "grace" (unconditional love) in those who live "in" but not "of" the world. Perhaps there's hope for Chiron, after all. I don't see how anyone could withhold a star from this movie. I've seen the movie described as "the first LGBT movie," which strikes me as an injustice to the film and to the LGBT community. It's a universal film, capable of eliciting tears of self-recognition while giving the viewer no reason to feel guilt or the need for a retraction in the aftermath. The acting is too real and compelling; the direction is too savvy yet transparent. Review: This will be a classic - Amazing quality and a great price point ## Technical Specifications | Specification | Value | |---------------|-------| | Contributor | Adele Romanski, Alex Hibbert, André Holland, Ashton Sanders, Barry Jenkins, Dede Gardner, Jaden Piner, Janelle Monáe, Jeremy Kleiner, Jharrel Jerome, Mahershala Ali, Naomie Harris, Trevante Rhodes Contributor Adele Romanski, Alex Hibbert, André Holland, Ashton Sanders, Barry Jenkins, Dede Gardner, Jaden Piner, Janelle Monáe, Jeremy Kleiner, Jharrel Jerome, Mahershala Ali, Naomie Harris, Trevante Rhodes See more | | Customer Reviews | 4.5 out of 5 stars 5,738 Reviews | | Format | 4K | | Genre | Drama | | Initial release date | 2016-10-21 | | Language | English | ## Images ![Moonlight - Digital HD [4K UHD] - Image 1](https://m.media-amazon.com/images/I/81R5HHA-QFL.jpg) ## Customer Reviews ### ⭐⭐⭐⭐⭐ The brotherhood of all human beings made manifest in a film worthy of widespread recognition and acclaim *by S***L on June 4, 2017* After the confusion surrounding the end of this year's Academy Awards telecast, I screened both "La La Land" and "Moonlighting." I suspected the judges had ultimately chosen the wrong picture, since I'd bought the endorsements of "La La Land" as a pleasant entertainment that at least put its big budget to good use in bringing back a movie genre that,was in itself an accomplishment worth celebrating. By contrast, the line on "Moonlight" was: low budget film made in part to rectify the previous year's exclusive focus on an "all-white Hollywood" while assuring the left that the progressive values of a stereotypically "liberal" celebrity culture were still intact. Happily, both films rise above such early, superficial categorization. Despite undeniable flaws, "La La Land," is neither a stereotypical musical nor an excuse for two hours of escapist diversion. It pays respect to its noble forbears while reflecting the culture of a new generation. Throughout it manages to maintain a place between fantasy and realism, presenting a character who refuses to give up on jazz as a dying art. But to this writer, who is passionate about jazz and a fan of Astaire's '30s musicals, the film could have used either a few extended stretches of mainstream jazz or songs approaching the timeless standards sung by Astaire in "Top Hat" (Berlin) or Kelly in "American in Paris" (Gershwin). "Moonlight" is not without its own flaws. But it uses its minimal resources ($1.5 million, a pittance in movie-making terms) to maximum effect, thanks to an inventive screenplay, a cast of actors who look and play their roles with striking verisimilitude, and a tone-sensitive camera, that knows when to create meanings as a participant in the action and when to hold off and simply record unfolding meanings. Upon reflection, the film creates questions without answering them. Why is all the blame on Chiron's mother? Are there no extenuating circumstances to explain her failure as a mother? What happens to Chiron's surrogate father, Juan (a charismatic, memorable performance by Mahershala Ali in the first third of the film)? What explains Juan's attraction to Chiron ("Little") in the first place? And why does the grown Chiron ("Black") resemble Juan to a far greater degree than himself? (The first two Chirons have thin body frames and narrow, long-shaped heads, congenital physical traits that no amount of build-building could change.) Is there a resemblance between Juan and Chiron beyond their success as self-made men of integrity who use their restraint and magnetism to become successful magnates in the business of "trappin'" (i.e. kingpins in the crack trade). And do we really have any reason to expect Chiron's life to end less abruptly than Juan's? Still, the film has an emotional impact that erases the viewer's misgivings over details like the forgoing. Many musicals have caused me to well up, leaving me spellbound during the progress of a lyrical story and unable to speak at the end. "La La Land" left me with some of the same deeply satisfying "fullness" as "Singin' in the Rain," "An American in Paris," "Swing Time" and "City Lights." But "Moonlight" packs the harder punch, building to a climax in a scene which focuses on a "meal" being cooked with the most loving care by Chiron's old friend, Kevin, now working as a cook in a pedestrian diner where Chiron reunites with him. The moment transcends time and place in the painstaking care with which Kevin prepares a meal for his long-absent friend. His care is that of a mother preparing a royal feast on the occasion of her son's return from a bloody war. For this viewer, it resonated with the film "Babette's Feast" and with the New Testament miracles performed by Jesus at weddings, sermons and suppers--each a testimony to the role of "service" and to the presence of "grace" (unconditional love) in those who live "in" but not "of" the world. Perhaps there's hope for Chiron, after all. I don't see how anyone could withhold a star from this movie. I've seen the movie described as "the first LGBT movie," which strikes me as an injustice to the film and to the LGBT community. It's a universal film, capable of eliciting tears of self-recognition while giving the viewer no reason to feel guilt or the need for a retraction in the aftermath. The acting is too real and compelling; the direction is too savvy yet transparent. ### ⭐⭐⭐⭐⭐ This will be a classic *by J***E on May 4, 2026* Amazing quality and a great price point ### ⭐⭐⭐⭐⭐ BITTERLY DARK YET AMAZING TENDER AND HEARTWARMING - TRUE POETRY IN MOTION *by J***C on March 14, 2017* MOONLIGHT is a stunningly beautiful yet darkly harsh film that will haunt and inspire you. There is another side to Miami beyond the glamour, glitz and wealth we see on TV and in movies. There is a dark and tragic side to the city where poverty and drugs rule the day. Chiron aka "Little" is a quiet and scared young boy thrown into a violent world. Taunted at school and living with his drug-addicted mother, he finds hope in the friendship of Juan. Juan seems to have a compassionate heart as he lives in a fancy house with his girlfriend Teresa. Juan and Teresa are his salvation from his sad existence with one huge caveat. Juan just happens to be a drug dealer who just happens to be Teresa's connection. Here is the amazing truth to this story. Juan realizes how his "job" ruins lives. It's an incredible dichotomy to be Chiron's salvation and source of his torment. Three actors portray Chiron from boyhood to adulthood. The three actors may look different but all three have Chiron's haunting and tragic eyes. It is amazing. Chiron's eyes tell more of his story than the few words he speaks as he tries to understand the world around him. These three young actors will overwhelm the viewer with their heartbreakingly real portrayals of Chiron. Here is an amazing story of a boy trying to understand why he is "different". There is a deeply emotional beauty in Chiron's innocence and journey into understanding his sexuality. MOONLIGHT tells a deeply violent story without showing explicit violence. It is also a sexual journey that unravels in our minds more than on the screen. MOONLIGHT is a story of contrasts and unrepentant reality. MOONLIGHT is one of those wonderful and acclaimed films that few people have seen. It is raw and real and is not for everyone. Its unrelenting reality is addictive but may upset many. It is a beautiful film that should be seen and yes, love does exist even in the most tragic of circumstances. --- ## Why Shop on Desertcart? - 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016 - 🌍 **Shop Globally** — Access 737+ million products across 21 categories - 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price - 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members) - 🔒 **Secure Payments** — Trusted payment options with buyer protection - ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews **Shop now:** [https://www.desertcart.com.eg/products/227528914-moonlight-digital-hd-4k-uhd](https://www.desertcart.com.eg/products/227528914-moonlight-digital-hd-4k-uhd) --- *Product available on Desertcart Egypt* *Store origin: EG* *Last updated: 2026-07-07*