Deliver to EGYPT
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Product Description A government surveyor and an Indian girl try to stop a war between the cavalry and the Cheyenne. .com The title refers to the symbol used by Indians to signal their intention to wage war, but White Feather is actually more about peace. Set in the late 1870s, director Robert Webb's film centers on efforts by the U.S. Cavalry, led by Col. Lindsay (John Lund), to negotiate a treaty with various tribes wherein the Indians will relocate and leave their Wyoming territory so white settlers can prospect for gold. The Blackfeet, Crow, Sioux, and Arapaho all seem willing; only the Cheyenne, led by pragmatic Chief Broken Hand (an affecting Eduard Franz) and his fiery son Little Dog (Jeffrey Hunter), are holding out. Enter Josh Tanner (Robert Wagner), a surveyor who's there to map out the town that will spring up once the gold is mined. Tanner makes friends with Little Dog and his sidekick, American Horse (Hugh O'Brian, who was about to assume the role of Wyatt Earp in the TV series about that legendary marshal), and falls in love with Little Dog's sister, Appearing Day (Debra Paget). Complications ensue, as this Western Side Story romance threatens to derail the impending treaty, leading to a final confrontation brought on by the delivery of the white feather. Notwithstanding the inherent absurdity of the treaty (as in most such agreements, the Indians were screwed), the filmmakers handle the issues even-handedly, taking a peaceful point of view that shows considerable sympathy toward the Cheyenne and allows both sides to proceed with dignity and honor. There are plenty of flaws: Wagner, just 25 at the time of this 1955 film, is handsome but bland in the lead role; the romance is handled rather clumsily (after their first kiss, Appearing Day tells Tanner, "I would like it again, please... but longer?"); and even though the Indians are depicted respectfully (of course, they didn't go so far as to cast actual Native American actors), the stereotype of the proud, noble savage so primitive that he can be entranced by a pocket comb persists. Still, White Feather looks good (it was filmed in Technicolor and CinemaScope) and more than holds one's attention throughout its 102-minute running time. Extras include an "interactive pressbook gallery," various still photos, and more. --Sam Graham
L**N
Cinemascope masterpiece
I got White Feather last Thursday and I've been watching it once, even twice a day since. I saw this movie on television in 1977 and never thought I'd ever seen it again. Thirty years later, it's still very powerful. I must admit that the very beginning where Little Dog(Jeffrey Hunter)and his party are watching surveyor Josh Tanner(Robert Wagner) taking care of the killed miner I couldn't help but grin at Jeffrey Hunter's delivery of his lines. But then remembering he had broadcasting training he had to project his voice a little bit more dramatically. My favorite scenes I like to watch over and over is the scene where Little Dog and his party intercept Josh Tanner and Anne with Tanner being so bold as to pluck a feather out of the testy Little Dog's hair and awarding Little Dog a fold out comb. I was just as fascinated with it as Little Dog because I, too, have never seen such a comb, and of course the dramatic death scene at the end. Gradually did Josh Tanner grow to love Appearing Day(Debra Paget)Little Dog's sister. Paget by the way played an Apache maiden courted by Jimmy Stewart in "Broken Arrow", whose music appears in a few scenes of White Feather which I wasn't too thrilled with. Little Dog's build up to his dramatic end gives me goose pimples no matter how often I play it back, especially with his shrill war cries that make my spine tingle.I enjoyed Little Dog's humor about the stolen Crow horse and why Tanner shouldn't ride alone busting the myth that Indians have no humor.I'm still touched no matter how many times I play Little Dog addressing his friend, Josh Tanner, before the soldiers by saying amongst other things:"I will not go with the soldiers. I will die here..." busting the myth that every Indian went quietly, bending mindlessly to the will of the white man. What I found annoying with the movie are blatantly bad stunt double work such as the scene where Crow are chasing after the Cheyenne, Jeff Hunter falls off riding backwards and we hear him war cry for help, we see him staring at a Crow going after him, then we plainly see another man pull the Crow off his horse by yanking his lance, then we see Jeff again popping on the horse. Did the studio think the audience too daft to notice a different man? Did they think a sharp-eyed watcher wouldn't notice during the fort rescue scene where Little Dog must rescue American Horse another man is plainly shown jumping down to the fort ground after scaling the wall, hide behind a tree, only to see Jeff Hunter pop out? It's insulting that studios then and now think audiences too stupid to notice when an actor is being replaced by a stunt 'double' who doesn't even barely look like the actor he's replacing. Some people actually *do* notice for those few seconds because they're actually paying attention not mindlessly watching. I thought movies are supposed to have people in charge of continuity. White Feather's continuity problems were sloppily obvious.Little Dog's sister,Appearing Day, would be wearing one color of braid ties and then a second later in the same scene they'd be a different color. After Little Dog's first confrontation with Josh Tanner and Anne, and Tanner leaves, American Horse shifts his horse and a second later he's shown not moving from his spot as if the two scenes were hastily spliced together. Little Dog first confronts Josh Tanner and Anne, you notice his hair ribbons, he introduces himself, they disappear, he watches Josh and Anne leave and his hair ribbons miraculously reappear. When Little Dog examines Josh Tanner and Anne, his loincloth's longer back is first draped over his horse, then he's sitting on it and he didn't even shift his weight and near the end when Little Dog and American Horse get ready to confront the soldiers and they were putting on their ornaments, both forgot their lances leaning against a rock and Little Dog left his war chief feathered bonnet on its rock.What's the point of bringing all that extra gear when all you're going to really use is your carbine? Did the studio think no one would notice? Then there's Josh Tanner first being seen riding a buckskin, then a much lighter fort buckskin horse as he's crossing the river after his Cheyenne dinner date. Why on earth was he given a lighter buckskin when his first buckskin was good enough? Then he rides the black Crow horse the rest of the movie. He changed horses more often than Appearing Day changed her braid ties, and people who know horses notice subtle color changes of their coats especially if they're the same breed. The continuity director didn't see these blatant mistakes because they didn't think anyone would notice. Since we're informed that the characters actually existed, one would think the real American Horse and Little Dog wouldn't have been caught dead wearing body paint that made them look like they were scribbled on by a studio hired kindergartner. Without meaning to White Feather also shows some comedy like the scene of Little Dog and his warriors practicing their battle skills. Look closely on both screen versions through the haze of dust, two prop men, one in a white shirt, madly running around collecting fallen arrows, seeing the Crow warriors chasing Josh Tanner and seeing their lance-armed leader in all his bravado and shouting not realizing he's thrusting a backwards lance. I suppose someone told him because the next second the Crow had wised up and displays his lance blade properly facing front, the exodus scene where an old lady passes with a cradleboard and she's supporting it with her left hand that has a wedding ring, or the scene where Little Dog is with his warriors just after Josh Tanner leaves Anne to award Little Dog his comb. On the letterbox version, as Little Dog speaks, you can see one of his warriors at the far right, fumbling to put his bow back in its case on his back.I'm appalled by the DVD's back jacket synopsis:"In an effort to peacefully coexist with white settlers the Cheyenne tribe agrees to resettle, sacrificing valued Wyoming hunting grounds to make way for gold prospecting. Led by Colonel Lindsey, the tribe's resettlement journey is also guided by a rugged land surveyor Josh Tanner and his Cheyenne tribesman friends-Little Dog and American Horse. But an attraction between Little Dog's fiancee(Debra Paget) and Tanner threatens to ruin the resettlement plans and the tribe sends an arrow with a white feather-a symbol of their intention to wage war!" Obviously whomever wrote that didn't bother to watch the movie at all and should be spanked for making things up! The Cheyenne didn't give up their hunting grounds, they gave up *all* of their land because their neighbors the Sioux, Arapaho and Blackfeet agreed to leave. Cheyenne would be alone to fight the whites and as Chief Broken Hand said, their food supply in the buffalo herds had been drastically cut again and without food to sustain them, without their tribal allies helping them fight, the Cheyenne would have too many more young men die. The move was reluctant. Had he been young, Chief Broken Hand said he would've stayed to fight. The settlement journey wasn't guided by Tanner, Little Dog and American Horse. Tanner originally came to help build a town eventually and the fort was his stop over. He just got caught up in the mix, became friends with Little Dog and American Horse who admired his courage, and he fell in love with Chief Broken Hand's daughter, Appearing Day, which ticked American Horse off because she was his reluctant fiancee, not Little Dog's. Appearing Day was Little Dog's sister. Tanner's attraction to Appearing Day didn't threaten to ruin anything! The only thing that threatened to ruin the resettlement was Little Dog and American Horse who rightfully refused to be relocated. Lastly, the white feather wasn't attached to any arrow, but to one of the Bowie knives Josh Tanner gave to Little Dog and American Horse.The white feather wasn't a symbol from the Cheyenne as a whole to wage war. It was a challenge from Little Dog and American Horse who prefered to fight the army single handedly. They weren't bound by the treaty giving up their land because they weren't in camp when it was signed. One who has never seen White Feather and read the innacurate DVD's synopsis wouldn't know the difference. Afterwards however, I have a feeling they'd be miffed at the blatant innacuracies because I assume they care. The DVD has some special features. You can select any scene and go on from there. You can select your languages from English or French or you can watch the entire movie in French and use the subtitles you need which are English, French or Spanish. The dubbing into French doesn't work well if you're a decent close up lip reader. There's an Interactive Pressbook gallery where, even though there are many articles, only some you can highlight and actually read. There are pictures and posters and an original theatrical trailer. One side you can see the original version of the movie which is letter box. At first I found it distracting until I watched the other side where you get a full screen version but characters have a tendency to be cut out of the picture. One has a tough decision to make. Watch the letter box version where characters look smaller on your monitor but you get everyone in, or put it on full screen and see everything bigger but have people reduced to disembodied voices. On both versions however it starts off in letterbox then changes. If you want to see a decent Western with strong characterizations, Durango Mexico that looks convincingly like Wyoming, White Feather is a Cinemascope masterpiece without having to have John Wayne swaggering and blustering nearby to be watchable. This isn't a movie for fans of the late Jeffrey Hunter to overlook.
F**R
Directed with a Fair Hand and a Commendably Civil Tongue
White Feather takes us back to 1877 Wyoming for the signing of a Peace Treaty. On the one side, we have the Sioux, Arapaho, Crow, Blackfeet, and Cheyenne Indians. On the other, we have the US Government. In the middle, we have Chief Broken Hand, the leader of the Cheyenne, and a complement of the US Calvary commanded by Colonel Lindsay, a man of considerable integrity and remarkable wisdom.Josh Tanner, played by a young and handsome Robert Wagner, a topographical engineer dispatched by a group of wealthy individuals with interests in land development, also finds himself immediately implicated in the rapid movement of events.Two young Cheyenne braves, Little Dog and American Horse, played by Jeffrey Hunter and Hugh O'Brian, add their hot blood to the escalation of rivalries.In a role particularly suited to her undeniable charm and winsome beauty, we find Debra Paget playing the part of Appearing Day. She is sister to Little Dog and the daughter of Chief Broken Hand.And let us not forget Virginia Leith. Her role is small as Ann Magruder, a lovely young woman with a vivid scar in her past, yet she is quite memorable. With the figure of a dancer and the face of a siren, she harbors a great deal of compassion."Sitting on a powder keg," as Colonel Lindsay described the conditions to Josh Tanner, leaves us in a position to extol the civilized behavior encountered multiple times during the intersection of peoples on opposite sides of a contest for land and life. Josh Tanner treats us to a most unusual and unexpectedly original solution to a brush with death, filling us with admiration and regard. It is no wonder that Appearing Day is moved in a magic moment to love and to cherish him. Debra Paget manages to embody these emotions and feelings in the unmistakable language of the heart, with unspoken words expressed so sincerely in her manner of adoration and devotion. Recognizing just how few minutes she had to accomplish this feat of communication is to applaud her performance and purity. Over and over.Little Dog, son of Chief Broken Hand, is also drawn to Josh Tanner, a reflection of his respect for bravery and courage. He may also like his new comb (smile). It is his invitation to Josh Tanner to come to the Cheyenne village for a welcome feast that permits Josh a brief moment alone with Appearing Day. It is also here where Josh again proffers gifts, unknowingly encouraging Little Dog and American Horse to seek once again to reply in kind. And thus a friendship develops, fragile and delicate under the circumstances, but worthy of some trust. We watch as this trust is tested and find that both sides have their strengths and weaknesses. In this film, an assessment of those characteristics is left to the audience. It is directed with a fair hand and a commendably civil tongue.Surprisingly, from beginning to end, we are confronted with only five deaths, just three of which are witnessed first hand. The last two signal an end to hostilities and place us on a path towards peace and enlightenment. If only it were true.White Feather shares some attributes with an earlier film titled Broken Arrow, starring James Stewart and Jeff Chandler. While Debra Paget is the only person to appear in both, the two movies present similar conflicts in similar contexts. In Broken Arrow, Debra Paget is five years younger, approaching seventeen years of age, and equally enchanting. The cinematography of Broken Arrow manages to catch her in the most dazzling light. She fairly glows. Clearly, for me, Debra Paget is the major attraction in both of these films even if the scripts tend to provide little time with her.
N**Y
tells story side of indians excellent film
This film is based on a true story ,about a chiefs son (played by handsome jeffrey hunter) little dog whose opposed to a peace treaty between cheyeñe & american,s, being forced to move from there land!!! This is a sympathetic view from indians point of view ,it really is a moving story ,robert wagner plays josh tanner who at first does,nt care one way or other about indians (comes to respect & befriend indians ,he also falls in love little dogs sister,) its a moving story , reminding people theres 2 sides to a story , l would recommend this
K**N
Interesting.
Great film, we loved it from the begining to the end. I am pleased that i bought it. I've seen it four times since it arrived. A very good and well made film.
P**P
It’s a gilm
Typical cowboy film
A**L
Fantastic western
I love this film. This is a brilliant western with a great story. For those who love westerns but would prefer not to see John Wayne for a change, I would definitely recommend this one.
R**E
Its a good Film but a Bad DVD
This DVD on My Multi DVD which shows both Region 1 & 2 jumps up and down all the time and cant see the film
Trustpilot
1 month ago
3 weeks ago