War and Peace (Signet Classics) Kindle Edition

Fifty years after the first time I read War & Peace, having seen most of the recent BBC Mini-series, I was inspired to read it again. Though I'm not sure how much it is due to the skill of the translator and how much to the additional half century of life since that initial reading, War & Peace was pure fun this time. This reading took but a week, and though it wasn't a case of 'couldn't put the book down,' it would have been faster but for the limitations imposed by my sexagenarian eyes.My two main impressions / memories from reading War & Peace as a precocious (and possibly pretentious) teenager were that the appreciation of story was marred by the difficulty of keeping the characters' identities and names straight and that Tolstoy's anti great-man philosophy of history was beyond silly. That long-ago teenage self was right about the silliness of Tolstoy's philosophy of history, but the confusion engendered by the multiplicity of oddly named characters has now disappeared. The Ann Dunnigan translation is excellent: Tolstoy would be gratified that his work should be so readable in translation.

One of the greatest novels, if not the longest, ever written. This is over a thousand pages so be prepared. In essence, the story is this:We are introduced to the major families through the vehicle of a soiree at the Anna Pavlovna's home, a name-day celebration at the Rostovs, and a description of the isolated existence of the Bolkonskys at their country seat. Prince Andrey and Pierre discuss their futures and what they seek in life, both young men idealizing the"man of destiny" who is soon to invade Russia. Old Count Bezuhov dies, leaving Pierre wealthy, titled, and the most eligible bachelor in Petersburg.Nikolay Rostov and Prince Andrey undergo their first war experience at the battle of Schöngraben. They each discover the ineffectuality of the individual in a mass situation. Nikolay accepts being a"cog in a machine" and Andrey rejects being part of the administering forces, choosing, instead, to fight at the front.Pierre marries Ellen; Anatole unsuccessfully courts Marya. Andrey attends the war council on the eve of Austerlitz and wishes to be a hero.He is wounded during the battle. Compared to the limitless sky, which symbolizes death, Napoleon seems to Andrey petty and insignificant.Nikolay, with Denisov, is home on leave and he ignores his sweetheart Sonya. Pierre wounds Dolohov in a duel over Ellen's alleged infidelity. Liza Bolkonsky dies giving birth to a son, leaving Andrey with a deep sense of unassuageable guilt. Dolohov falls in love with Sonya and avenges her rejection of him by fleecing Nikolay during a card game."Intensity" is the keynote of this section, shown by incidents of love and hate, life and death.Separated from his wife, Pierre devotes himself to"goodness," by joining the masons and by an inept reforming of his estates. He and the retired Andrey have a discussion about the meaning of life and death and Andrey is inspired with new hope. The significance of their exchange points out the contrast between Pierre and Andrey. Meanwhile Nikolay has rejoined his starving regiment and Denisov faces court-martial for stealing food for his men. Nikolay asks the tsar for Denisov's pardon and witnesses the meeting between Napoleon and Alexander, a meeting between the old and new orders of government. His petition rejected, Nikolay decides the sovereign knows best and submits to"higher authority."This is an account of"real life," as opposed to politics, where the"inner man" is more significant than the"outer man." Andrey becomes involved with Speransky's circle of reformers, but when he falls in love with Natasha these activities pall for him. Pierre becomes disillusioned with masonry, while Princess Marya is made more unhappy by her father. The Rostovs' financial problems increase, and Andrey goes to Switzerland.With the wolf hunt, the sleigh ride, Christmas celebrations, and family harmony, the Rostovs enjoy the last period of their"youth." Natasha's restlessness increases during Andrey's absence, the family is almost bankrupt, and there is foreboding of hard times to come as the children enter adulthood.Natasha meets Anatole during the opera and is almost abducted by him. During her near-nervous breakdown, Pierre emerges as her comforter and their love is implied.The life-and-death struggle against France begins, with Napoleon depicted as a glory-seeking fool. Andrey turns away from his past and commits himself to the men in his regiment, who adore him. Nikolay refrains from killing a Frenchman and is decorated for bravery because he took a prisoner. Natasha slowly recovers, aided by religious faith. Petya joins the army out of a youthful patriotism which Pierre also shares. The Russians respond massively to the national threat, and Pierre feels within him an"ultimate mission" involving his love, the comet, Napoleon, and the war itself.The French who are penetrating Russia march toward their doom in the"irresistible tide" of destiny. The old prince dies and Marya moves her household to Moscow, but the war looms closer. Despite the national upheaval, the Petersburg salons remain the same. Marya and Nikolay have a romantic first meeting, while Pierre visits the deathmarked Andrey on the eve of Borodino. The battle is described as a death duel, with the Russians winning morally, if not physically. This marks the turning point from defeat to victory for Russia.Tolstoy discusses mass activity as a combination of"infinitesimal units of activity" and provides a short summary of past and future events. Moscow's abandonment and burning is the great deed that saves Russia and the moment-by-moment details of the event are discussed, including Rastoptchin's last-minute bid for glory at the expense of the cause he pretends to further. The Rostovs leave Moscow, their caravan including the mortally wounded Prince Andrey. He is reunited with Natasha, who nurses him. So close to death, Andrey understands the quality of divine love. Truth results from a life-death confrontation. Pierre conceives the plan to assassinate Napoleon, but other incidents show he is destined to fail.Nikolay and Marya meet again in the provinces, and Marya travels to see her brother. She and Natasha are with him when he dies. Pierre is nearly executed by the French, who accuse him of incendiarism. He experiences a"rebirth" in prison through Karataev, an almost mythic figure symbolizing the unity of love and hate, life and death.The end of the war is in sight as the French retreat more and more rapidly. Their retreat is the"fruit" of"unconscious activity" rather than the will of Napoleon. Pierre discovers an intense freedom in prison.This period of guerilla fighting involves Denisov, Dolohov, and Petya, who gets killed. A surprise attack led by Denisov and Dolohov frees Pierre and other prisoners. In a flashback we learn how Karataev died, and what Pierre suffered and overcame during the death march. Death and decay are part of the processes of life and growth.Natasha and Marya are recalled from their mourning into active life: Marya by her household responsibilities, Natasha by exercising love to comfort her bereaved mother. As the war history is over, Kutuzov's career ends. A new era begins to disclose itself with Russia's entrance into international leadership. Tolstoy apotheosizes Kutuzov. Pierre and Natasha meet again.Tolstoy details the"happy ending" of the careers of his fictional characters in scenes to show the domestic happiness of Nikolay and Marya Rostov, Natasha and Pierre Bezuhov. The cycle of life begins anew as Nikolinka, Andrey's son, comes of age and desires to be like Pierre and like his father.This is the philosophical exegesis wherein Tolstoy shows that"free will" is a mere construct which historians use to explain the movements of nations and people. Causality is impossible to descry when we regard the pattern of historical events, and the concept of"free will" prevents deep understanding of the nature of history. The paradox, however, is inescapable: We need to maintain the illusion of free will in order to carry on our daily lives, for our hopes, our basic beliefs depend on this notion of an inner consciousness; at the same time we are victims of innumerable and infinitesimal constraints of necessity which spell out our destiny and we are not"free" at al.

I don't know what else there is to say about this literary classic that hasn't already been said. If you haven't read it you probably should, as it has earned every bit of its reputation. Told over the course of many years in Russia surrounding the War of 1812, it perfectly presents an image of what life was like leading up to, during, and after the event; though nearly solely from the perspective of the upper classes. Some of the actions of the characters can seem confusing at times, further confounded by trying to keep track of all of them, but it all winds up making sense in the end. Following the lives, loves, triumphs, and tragedies of all these characters; and indeed of Russia itself; is a very entertaining and rewarding experience. While the very last section winds up feeling like a rather lengthy lecture, it ultimately helps to drive home the themes of just where power comes from and how much of our lives are really ours to decide. I don't think I agree with the ultimate conclusion Tolstoy seems to imply, but it is certainly well argued and does give one something to think about. This is by no means a breezy read, but it is easily worth the time commitment it takes to read it.

The book was in decent condition, but definitely not new. This is the best translation of War and Peace, and it's hard to find, so I am happy to have it. The shipping was pretty quick.

I wish there were more stars to rate this book- it is absolutely brilliant. After finishing this, Tolstoy instantly became my second favorite writer (Victor Hugo being the top, and in my view, unreachable). Depsite its immense length, this book reads rather quickly and every bit is interesting and directly related to the plot. Tolstoy's parallel structure of the Napoleonic war and the interactions of five socially elite families creates a true masterpiece. The characters are fantastic, namely Prince Bolkonsky and Pierre Bezukhov, who struggle their way into Tolstoy greatness. I cannot say enough good things about this book- highly recommended for anyone who enjoys LIFE. A side note: buying Cliffs Notes and reading them along with the novel is a definite help, especially for keeping characters straight. This is one to read over and over, to study thoroughly, and then read through again. I have discovered new enchantments with each reading. Everybody knows this nov! el by its name and immediately associates the title with length, but it is a work of genius. Definitely ought be required reading for everyone on the planet.

This is the by far best translation of War and Peace that I have come across. It is far better than the Pevear and Volokhonsky one (which I couldn't finish).

Chosen in English for the Reputation of the Translator. A must.

Excellent!

Have you ever tried to read W+P from cover to cover -- and failed as I have? Much as I have the greatest respect for any translator who attempts to tackle this "Mount Everest" of fiction, I find it is discouraging when you get bogged down by a clunky style, however faithful or literal, or slowed down by "British" English as opposed to "American". Dunnigan's version is fairly easy to read, as it was the very first attempted in American English. It reads well out loud (she was, among other things, an actress) and was chosen for a Marathon radio reading of the whole novel in December 1970, when Pacifica Radio station WBAI broadcast a reading of the entire novel read by over 140 celebrities and ordinary people. So I'll stick to the Dunnigan version for now; when I want to study this wonderful novel in more depth, I'll turn to the Mandelker (bilingual) revision of the Maude version -- or even the Pevear/Volokhonsky (bilingual) version.

La vita nella Russia zarista all'inizio dell'ottocento e gli orrori della guerra narrati minuziosamente da un autore straordinario. Leggetelo se potete.