Django Unchained Steelbook

Quentin Tarantino is one of the greatest director’s working in the movie industry. Django Unchained manages to tell a great story, have a big heart, show the absolute inhumanity and brutality of slavery in pre-civil war United States, be brutally violent, and hysterically funny all at the same time. The combination of all those elements while paying homage to spaghetti westerns and 70′s style film making with Tarantino’s uniquely modern flair is nothing short of amazing. Django Unchained is like the most spectacular house of cards you have ever seen, one slight miscalculation could topple the entire thing but instead it stands strong and is a must see for any movie lover.Django (Jamie Foxx) is a slave in 1858 America. Early on in the film Django crosses paths with Dr. King Schultz (Christoph Waltz). Schultz is an out of practice dentist turned bounty hunter who originally recruits Django’s help for a single job. Schultz makes it clear he despises slavery and quickly forms a bond with Django. Schultz takes an interest in Django’s goal to rescue his wife, Broomhilda (Kerry Washington), who was cruelly separated from him. Django and Schultz spend a winter together hunting bounties and making a good deal of money. Django takes to the bounty hunting trade and gun slinging naturally. Schultz discovers that Broomhilda is being held at an infamously cruel plantation known as Candie-Land under the slaver Calvin Candie (Leonardo DiCaprio).Django Unchained is a fictional story but seems to take place in a very real world. The brutality and widespread of slavery in the early United States is crystal clear all throughout the movie. Every actor in the film does a flawless job of getting the audience up to speed with the general mentality and racial structures in the time period. The abundant racism and cruelty toward the slaves is, at times, almost difficult to watch but it is never overdone or unnecessary. A lot of prejudgements and accusations have been thrown around because of the sensitive material and racist elements. This movie is in no way racist. It tells a story during one of America’s more shameful moments and does so without pulling its punches. The slavery and racist aspect of Django Unchained is also only one aspect of a phenomenal film. On top of the brutal realism and historical aspects is a story about a man willing to do anything for the love of his love. Intertwined to the great, though somewhat unconventional love story, is a fantastic story about two people who could not be anymore different finding common ground and forming a strong friendship. Dress all these elements up with some hilarious moments and amazing action sequences and Tarantino may have produced his best work yet, that’s really saying something.Jamie Foxx plays the titular hero in this Western-action-homage. Soft spoken and closed off for the majority of the movie Foxx plays Django from the inside out. Much of the characters understanding and development is told in his face, and especially his eyes. It is completely believable that Django lived a hard life and the audience never has reason to question the actors commitment to the role. There is never doubt that Django lived through his past traumas or that his blood wasn’t actually boiling during some very tense situations. Foxx is an actor who could have easily made a career out of soft roles and phoned in performances but he is constantly trying new things and succeeding immensely. Christoph Waltz first worked with Tarantino in 2009′s Inglorious Basterds. This was also his introduction to the majority of the Hollywood audience. Waltz absolutely stole the movie and outperformed all of his costars despite being virtually unknown to American audiences and playing the main antagonist. Waltz’s performance is equally impressive in Django, he is quick witted and very funny. Waltz as an actor has an air and charm about him that says he knows something that those around him don’t. He carries scenes effortlessly whether he is merely sitting at a table in dialogue or running a wild west type shoot-out. The dialogue he was given as the Dentist turned Bounty Hunter is perfect and Waltz sells the delivery of every single line, no matter how small it may seem. The only actor who may have out-done him ever so slightly is DiCaprio. DiCaprio has been one of the movie industry’s greatest actors since he was a kid. Constantly blowing away expectations and steering clear of being type cast of thrown into cash-grab quality projects it isn’t a surprise DiCaprio did well. What was surprising is that the actor took the role at all. The role was absolutely a good one but Calvin Candie is a straight up monster. DiCaprio has never played a character so repulsive and evil down to his core. Another complete shock in casting was Samuel L. Jackson as Stephen. Stephen is essentially Candie’s estate manager and top tier slave. The two banter as equals and Stephen seems to hold a power over Candie’s other slaves. Jackson who has proven in the past to be a solid actor lately has been a little lazy in many parts he has played. Choosing to simply play himself in a costume rather than really challenge himself. In Django, Jackson really pulled out all the stops along with the rest of the cast and did something no one has seen him do before.Django is shot so beautifully. In true Western fashion there are plenty of sprawling scenery shots and very nice establishing shots. The camera is never irritating and shots are set up so well that the audience can be totally immersed in the rest of the movie. The most amazing stylistic approach to how this was shot is that despite it being a top quality gorgeous movie it never loses its “Tarantino” flair. Fast zooms, interesting angles, and almost a 70s style feel are applied all throughout the movie in a perfect balance with new film trends and technologies. The soundtrack is equally good and equally as diverse. Music audience’s would expect in a mid 1800s set movie is mixed in with classic rock, easy listening and modern rap. Combining the elements with the flawless sets, props and wardrobes must have been a tough mixture to pull off and Tarantino does it expertly.From sitdown-shutup.netDjango Unchained is a movie with a little bit of everything. Quality cinematography, acting, directing and writing all come together to form a perfect historical action movie with a huge heart. This is certainly unlike anything Quentin Tarantino has ever done while still having all the familiarities Tarantino fans have grown to love. It is safe to say this is the director’s best work despite his very impressive resume. Hopefully Django is a sign of more great things to come not only from the director but also from the entire cast. More movies need to be as bold and more actors need to tackle roles they are not as used to being put in. The challenge clearly produces astounding results. It is no question why Django Unchained is a 2012 Best Picture nomination.

Django Unchained is a very gratifying movie, a unique western that almost deserves its own category as both an entertainment piece and also an educational tool. It is in a lot of ways standard Tarantino fare with the obligatory action scenes and blood but it also grows into something more. It's very much a man against the system story. But, as the tale unfolds, it goes beyond the predictable gory narrative and becomes an allegory of revenge, integrity and social ignorance. It has funny, satirical moments as well as scenes where you, like the good guys, have trouble holding in your rage at what you are seeing. All things said, it may very well be the best movie Tarantino has ever directed. In brief and without giving up too much plot information, this movie is about a slave named Django (Jamie Foxx) who was separated from his wife by his master as a form of punishment common in the Antebellum South. As we meet our soon to be hero, he is without hope and has all but given up on everything. Everything begins to change when a former dentist-turned-bounty-hunter named Dr. Schultz (Christoph Waltz) finds him and through a witty and hilarious scene frees him, formatively then, eventually, in the literal and legal way. The two quickly become friends and partners as Django learns to be a bounty hunter. Eventually, the two hatch a plan to find and free Django's wife, Broomhilda (Kerry Washington). To do so, they have to find a way to trick the maliciously evil slave owner and slave fighter Calvin Candie (Leonardo DiCaprio). Worse yet, among the various miscreants and thieves in Candie's employ is his seeming butler and slave boss Stephen (Samuel L. Jackson), who is his equal in cruelty and even sneakier and more suspicious of everyone than he is. The acting is, in all cases, superb and powerful. How these men and women brought this story to life is a true marvel and truly makes you feel like you are yourself transported back in time. The thing that I value the highest about this movie, above even the masterful performances and stunning scenery, is that it is both entertaining as an action-western but also educational. Much like the hardships of the Great Depression, World War II and the price paid by the Greatest Generation to ensure everything that Americans have today, the more years that pass under the bridge the more distant the days of slavery become. The more removed we become from the evil of those times, the more easily we as a society forget what slavery meant and what it was. While Django Unchained is not completely historically accurate, the portrayal of the way blacks were treated in those days is absolutely true to the nature of the beast. The slave owners convey a dedication to being vicious, heartless and cruel. They treat their slaves as less than property, less than people, less even than valuable livestock. The slaves live and die at the whim of these masters, whose only distinguishing skills are their talents at inflicting suffering and their deference to their own shortcomings. For instance, DiCaprio's character, Candie, is French but doesn't speak his own tongue and even gets offended when that language is brought up. While perhaps not suitable for small children, this movie definitely entertains while also educating a post-Roots generation. It reminds us to value the freedoms that we have today. Obviously, being a Tarantino movie, this isn't just a satire, comedy or revenge tale. It's definitely an action flick and, loyal to his fans, Tarantino delivers many fast-paced fight scenes, many with hysterical twists to them. For instance, I love the scene where Tarantino is abruptly blown up by dynamite. The way Tarantino always appears in his own films is reminiscent of the Great Masters, the great artists of yesteryear who had a tendency to always paint themselves into their masterpieces. To find the scene that I am talking about you just need to watch the movie - it is well worth the effort. The film is well paced, not spending too much time on Act I where Django is introduced nor on Act II where he transitions into a hero-in-training. It builds up to a climactic Act III, which is an all-out gun battle (several actually) where Django finally gets revenge on the people who hurt him, tortured his one true love and at last killed his one and only friend. Whatever else it does, this movie will please fans of both the Kill Bill films, classic westerns and also the old spaghetti westerns, which it almost seems to pay tribute to in simple terms of the number of fight scenes. As to picture and sound quality, these are near perfect like most new releases. The video was encoded perfectly in 1080p and I do not recall any pixel problems at any point. This was a great thing given the dramatic cinematography which included old west town sets, deep forests, mountains covered in snow, rolling plains, desert mountains and southern plantation houses. An epic film deserves epic b-roll and Django delivers. The extras that come with the Blu-ray release are tasteful and appropriate, adding some depth and background to the film. These include such discussions as the reimagining of spaghetti westerns and such. All around, these aspects of the release are very good. In summary, I highly recommend this movie. It educates and entertains which makes it a value to all generations and also marks a pinnacle of achievement for both its director and the actors who made it come to life. I cannot speak highly enough of the work they put into this. The best thing you can do is give it a try if you haven't already. It will make you laugh, and you may cry, but you will certainly raise your hands and cheer for the hero before it is over.

I saw the trailers at the time and I do like stories about slaves getting one up on their situation and coming out on top but I never had time to get along to see it. I now wish I had made the effort! It's an absolutely superb film!Essentially a German bounty hunter sunddenly comes out of nowhere, releases a group of slaves and takes one of them, the titular hero, along with him as the bounty hunter has to try to find someone to collect on. Django makes a deal to help the bounty hunter so long as the bounty hunter agrees to help Django find his wife, still held captive on a plantation in Mississipi.There are some stunning performances from all concerned, the story has the usual wicked sense of humour that all Tarrantino films have but in this case the seriousness of the subject matter of slavery is respected and Tarrantino doesn't overdo it. The part with the KKK and their bags is obviously taking a serious dig at the stupidity of white supremicists and it's absolutely hilarious.The best part has to be as Django and Schultz enter the the lair of Mr Candie, a dyed-in-the-wool white supremicist, racist psychopath. Samuel Jackson as the "uncle tom" character, servile and lickspittle to DiCaprio's Candie is brilliant, you just instantly hate Jackson's character and you get the feeling Jackson loves every minute of it knowing everyone will hate his character.DiCaprio puts in a wonderful performance as the utterly vile Mr Candie, a prententious racist slave owner and there's a rather nasty undercurrent of incest hinted at in his rather overenthusiastic affection for his sister, as if DiCaprio's character wasn't vile enough!The stars of the show are definietly Foxx and Waltz, the character's affection one another's well being really comes out and you truly believe they care deeply about each other, the arrangement isn't just one of convinience, not something you can just write in a script and hope it works, it takes a special kind of actor to make it come to life.I loved every minute of this film and I can't wait to watch it again and start looking for the little things I missed the first time through.

I don’t like Westerns. There, I’ve said it. Never been a fan of the genre, all cowboys and Indians. However, I am a huge Tarantino fan and so went to see it, with some reservations.My god I was blown away! It’s more about slavery than Cowboys, and performances from Christoph Waltz, Jamie Foxx and Leonardo diCaprio were absolutely outstanding - Samuel L Jackson also worthy of note.I don’t know how Tarantino gets the performances he does from his actors, but I’m so very pleased he does!Tip for the ladies, should you meet him - keep your shoes on 😉

I have to say this is easily Quentin Tarantino’s best film. It is full-fat violence, themes, screenplay, technical and casting. It is a shocking, sickening depiction of slavery as it rightfully should be. The Black hero-vigilante Django played by Jamie Foxx is a masterful performance, beating Franco Nero’s (who also appears in this version) original portrayal of the character.There are certain things taken from John Jakes’ famous North & South series which Tarantino has obviously seen and loved, and some deserve a mention, for example, Leonardo Di Caprio’s bloody hand with the planter family ring is a near copy of the scene with David Carradine’s bloody hand with the ring (who would later star in Kill Bill). Di Caprio’s performance is nearly identical to both Swayze’s and Carradine’s depiction of the Old Southern Gentleman.An aged Lewis Smith appears Django Unchained, he brandishes his beloved Bowie knife as a little nod to the North & South television series, the knife is central to his character.Don Johnson who appears in John Jakes’ The Rebels as part of the planter aristocracy almost reprises the same role as “Big Daddy” in Django Unchained.

In 1858, the year in which the film is set, there were around 4.5 million slaves in the United States a tiny fraction of whom were treated relatively decently by their owners and as many of us, I imagine, receive the majority of our history lessons through the medium of film, the closest representatives of this enlightened bunch would be the owners of Tara and Twelve Oaks from Margaret Mitchell's (or David O. Selznick's) Gone With the Wind. Following the opening title sequence of the film of that book is a little ditty that would seek to persuade viewers of the heroic nature of the old south:`There was a land of Cavaliers and Cotton fields called the Old South.......Here in this pretty world Gallantry took its last bow.Here was the last to be seen of Knights and their Ladies Fair, of Master and of Slave.Look for it only in books for it is a dream remembered.A Civilization gone with the wind.'I suppose it all depends upon your personal definitions of `civilization' and `gallantry', a point many of those 4.5 million might have contested had they been given even the slightest opportunity.Tarantino's film, is positioned at the other end of the spectrum in terms of `slave' movies and, as such, stands in stark contrast to the cotton candy fluff depicted in GWTW. It will be no surprize to his fans that there are scenes of graphic violence: but, set against this, Tarantino's particular brand of humour is evident throughout, particularly personified in the performance of the excellent Christoph Waltz and the somewhat idiosyncratic soundtrack. There is also the rather `in your face' homage to the spaghetti western complete with Morricone score and an amusing send up of W. D. Griffith's `The Birth of a Nation' in which some ku klux clowns argue about the quality of their ridiculous head gear!But, aside from being superbly entertaining and some marvelous performances, notably by Samuel L Jackson and the brilliant DiCaprio, the film is a powerful indictment of the kind of `civilization' that took for granted the subjugation of a whole people simply on the basis of their colour.The blu ray looks great and there are a range of interesting special features; e.g. Reimagining the Spaghetti Western.

This film is superb ! The actors are all on top of their game and Foxx, Waltz, Dicaprio and Jackson make this film so memorable . I watched it last night and I am going to watch it again today , its that good !