COLLATERAL

Good film on 4k but tbh haven't watched yet

I think Tom Cruise is great in this film. His friendly demeanor makes him even more menacing than he otherwise would be. Fox is great as the average guy trying to make good that when tested comes through the hero. I've no idea why my reviews for this film keep going missing. This is the third time I have put up my review.

Good thriller, fantastic photography, excellent acting and direction. I thought the plot was almost plausible till the 4th killing, then it all became a bit insane and worthy of a DC superhero (Clark Kent as a Cabby). Apart from that it was good entertainment.

Occasionally, a film comes along with all the qualities of a masterpiece: a superb and original script that just could not go wrong in the hands of a gifted director, who has never made anything below par; a great cast who lovingly live the characters in their exceptional performances; outstanding cinematography; a terrific and haunting music score and crisp editing; and a film, not too short, not too long; and finally, critics adore it and audiences love it. That then is a masterpiece, and `Collateral' without any doubt is one, that I recommend to everyone as a 'film to see before you die' as the famous Film4 ad goes. One characteristics of Michael Mann's work is his unique portrayal of LA night: the roads, the traffic, the buildings and the night sky in particular; as he did in `Heat' and has revisited in `Collateral`. It is depicted almost as a character in his films, and here in Collateral, there are unique sequences in which aerial shots meanderingly focus on the moving taxi in which the two main characters move from one target to the next, with helicopters hovering in the background. And for a few seconds, the moving cab looks almost sailing through the night. I have never seen this technique before. One of the most memorable sequences in the film is the one where a fox crosses the street in front of the deeply thoughtful two protagonists. It is unlikely that I will ever forget that sequence. `Collateral' is likely to remain in our collective memory as a great film and a true masterpiece by one of the greatest directors of our time. BrownPolar 31st August 2006

Really good , gripping thriller from beginning to end.

If any of you have ever played the Hitman video games you will probably think that you could do quite well as contract killer given the right tools. You'd probably be right, or at least you'd be a hundred times better than Vincent in this movie. Apparently the phrase "silent assassin" is not in his vocabulary. He doesn't even use silencers on his very loud gun. Tom Cruise plays Vincent - a thoroughly conspicuous looking character who is in LA for a spot of contract killing. He hires unhappy cabbie Max (Jamie Foxx) for the whole night. Five stops, five kills - all in a night's work. This arrangement might have worked if Vincent were competent in the least. But he's just terrible. He leaves evidence everywhere, makes moronic mistakes, walks in front of every CCTV camera in LA, leaves fingerprints everywhere, and blabs far too much to Max, who any half-competent assassin would off at the end of the night anyway. Whatever the bad guys are paying him, the paycheck far exceeds the skill. I know the face and name need to sell the movie, but surely you'd remember a suspicious guy who looked like Tom Cruise being at the scene of every murder in LA during the course of one night. Michael Mann directs the film with amazing skill, brilliantly capturing the multiple looks and feelings of night-time LA. There are many scenes of tangible atmosphere in Collateral, so much so that the film is eerily calming. Using a combination of digital cameras for the car scenes and 35mm (Super35 sadly, not anamorphic) for the interiors there are many gorgeous shots and stunning compositions. Cruise and Foxx have great chemistry together though it must be said that Foxx comes off as the better performer/character. Neither of them overact and keep their cool but there's a true realistic edge to his lonely cabbie than Cruise's idiot assassin who leaves incriminating exhibits A-Z all over LA. Look out for a blink-and-you-miss-it cameo from the Transporter himself right at the very start. The Blu-ray is in gorgeous looking 2.35:1 1080p with colors so vivid and lifelike you'll forget your watching a movie and not real life. The DTS HD-MA soundtrack is also stunning, fully complimenting the movie's dynamic sound design. Gunshots and very loud and pack a heavy punch, if you have a home theatre you'll love it. James Newton Howard's atmospheric score is also seamlessly woven into the film's sound design and it's surely Howard at the top of his game, miraculously blending his own score with non-original tracks. Seriously, if you have a home theatre you'll LOVE the Fever Club scene.

On the face of it, an assassin with a shopping list, forcing a taxi driver to drive him and get involved in his heartless actions is a strange story. Michael Mann manages to create a believable narrative with Tom Cruise and James Foxx make it work. The film has multiple events that are surprising/alarming on first viewing, especially if you empathise with the characters.

Probably one of the best from Tom C and directed by Michael Mann - nuff said!