Microphone, Dynamic Cardioid, XLR Cable Included, Unidirectional, Rugged Construction, Built-in Pop Filter, Perfect for Stage & Studio, High Gain, Ultra-Wide Frequency Response, 15ft Cable

This microphone honestly exceeded my expectations. I originally bought it because the microphone on my device stopped working, and I needed something quick and reliable, but this turned out much better than I expected. The sound quality is clear, the setup was easy, and it worked perfectly with my device right away. My kids are also absolutely loving it and have been using it nonstop for singing, and playing games. It made everything much more fun for them. I also really liked the design and how lightweight and comfortable it is to use. The connection have been great so far with no major issues. I’m very happy with this purchase and would definitely recommend it to anyone looking for an easy, good quality microphone for everyday use or family fun.

Ladies and gentlemen, let me introduce you to my new best friend, the Pyle-Pro Microphone. Together, we're a musical dream team – like Sonny and Cher, Simon and Garfunkel, or peanut butter and jelly. This unassuming little gadget has transformed my shower singing escapades into full-fledged concerts that have my neighbors tapping their feet (and occasionally filing noise complaints). Before the Pyle-Pro, I had a string of disappointing microphone encounters. I felt like Goldilocks on the hunt for the perfect mic – some were too quiet, some too noisy, and others just downright unreliable. But when I finally laid my hands on this piece of audio wizardry, I knew I'd found my "just right." Now, when I host my legendary karaoke nights, the Pyle-Pro is the star of the show. It captures every nuance of my angelic voice (read: enthusiastic off-key belting) with stunning clarity. With this bad boy in hand, I feel like I can take on the world – or at least convince my friends that I'm a long-lost member of a famous band. The Pyle-Pro Microphone is so good; I've convinced myself that I could be the next singing sensation – or at least land a spot on a reality talent show. My cat, however, does not share my enthusiasm and often hides under the bed when I whip out my trusty Pyle-Pro. But hey, they say you can't please everyone. The build quality is no joke either. This microphone is sturdy enough to withstand my passionate, air-guitar-accompanied performances and the occasional accidental drop. Honestly, I'm pretty sure it could survive the apocalypse – and still be ready for an impromptu jam session in the aftermath. In conclusion, if you're in search of a microphone that will take your karaoke game to new heights (and potentially annoy your neighbors), look no further than the Pyle-Pro. It's a showstopper, a conversation starter, and your new partner in musical crime. So grab your Pyle-Pro, channel your inner rockstar, and let the good times roll!

Well, amazon had these up for $7.30 cents with free shipping for Prime.... and I snagged a pile of them. Boy did they smell bad when they arrived. I put them in the sun in a window with a fan blowing air out on them, and washed the foam guards on the inside of the microphones out with soap. The cables they come with smell so bad, I cannot imagine having the cables in my home or workplace. I plugged them in with XLR cables into pro gear, tested them... nice tone. Very clear.... VERY intelligible. I put a Shure foam guard for SM58's on it, and it really is decent. Good for low budget conferences, karaoke, and such, maybe even voice recognition. Kind of SM58 like. But they have a serious problem: in my stax headphones (this is a semi-pro recording studio with some serious high end gear here - Stax, BURLS, AC isolation transformers, custom made tube pre-amps, custom made microphones....), I could clearly hear a metal can resonance. Any kind of sudden high frequency noise like P's and T's makes these ping like a bell in a not very pleasant way. So I opened it up and VERY carefully packed the inside of the body of one of them full of acousta-stuf Acousta-Stuf Polyfill 5 lb. Bag , basically stringing the stuff into spaghetti like strands and poking into the body with a very narrow screwdriver, packing it in there till it wouldn't take any more strands.... I was hoping the metal body was the problem, but no. It's a problem in the diaphragm chamber. Adding dampening material SEEMS to have reduced SOME of the handling noise, but it still has this very harsh tin can sound whenever anything sharp like a hard enunciated T or P hits it. If I was more adventurous, I might try to put some felt inside the chamber of the diaphragm.... but there does not seem to be an obvious way to open up the capsule. Inside, these are NOT balanced pro microphones. They have two wires going to the output jack. Basically they are two wire karaoke microphones, wired up so as to pretend to be three wire microphones. Hard to go wrong having a few of these just laying around for emergencies. Built like tanks. Don't expect to release music recorded with them with that harsh metal-can resonance in them, however.

For the price you can’t get anything better and I mean that in a good way. I just needed something to help with a trivia night on a simple PA speaker and it did it well. Don’t expect anything crazy like possible live performance (can’t vouch for that) but for why it was needed it did fantastic and clear.

This budget-friendly microphone was nothing special, but it honestly did the job better than expected. It doesn’t have that nice, heavy feel of a professional mic—it’s pretty lightweight and clearly on the lower end—but for casual use, especially for something like karaoke, it worked out great. Sound quality was decent, no weird static or dropouts, and it plugged right into our system without any issues. For the price, you really can’t complain. It’s not going to win any awards, but if you need a cheap mic that gets the job done without a bunch of bells and whistles, this one’s solid.

It's a $15 mic, so it's not really fair to compare it to a $100 mic, however there are a handful of other cheap mics in the $10-$20 range right here on amazon and I just happened to compare a bunch of them head to head. Let me preface this review by saying that mics will sound different under different circumstances, including the user, the use, the other equipment, and the location it's used in. My findings are my own voice, talking and singing through two different PA (Bose L1 compact and Yamaha Stagepas) systems in my own house. These are the mics I tried and compared: #5 Weymic W500 https://www.amazon.com/gp/product/B01DGBDF4C/ref=od_aui_detailpages00?ie=UTF8&psc=1 My least favorite. Lighweight feel, too much high end, lots of handling noise. This mic also would not lock onto my XLR cable (manufacturing defect) #4 Weymic W501 https://www.amazon.com/dp/B01DGBUJU0/ref=cm_cr_ryp_prd_ttl_sol_0 I prefer this to the W500 but it still feels lighweight, and has lots of handling noise but it does have a better low end. This mic also would not lock onto my XLR cable (manufacturing defect) #3 Pyle Pdmic58 https://www.amazon.com/gp/product/B003GEBGA0/ref=oh_aui_search_detailpage?ie=UTF8&psc=1 This was the first mic I bought of the bunch and before I compared it to any others I was really impressed for the price. It has a lot of gain, too much high end and not enough bottom. Build is heavier than the previous 2 and handling noise is less. #2 Weymic W800 https://www.amazon.com/gp/product/B01CTOBDH8/ref=ox_sc_act_title_1?ie=UTF8&psc=1&smid=A2RIKQIMKURS0X This mic has similar weight and handling noise to the Pyle, it actually seems to have more high end but also much more low end, it's a very dynamic mic. Like the previous 3, It's also a hot mic. It's very clear for speaking and a nice singing mic for the right singer/song combination. It's also the cheapest of the bunch, $10.50 at the time of this writing and honestly for the price it's an absolute bargain. #1 Behringher XM8500 https://www.amazon.com/gp/product/B0002KZAKS/ref=oh_aui_search_detailpage?ie=UTF8&psc=1 This is my favorite of the bunch. Sometimes I would sing into one of the other mics which are all hotter and more trebly than this one and think they sounded better (more clear) but overall this mic just has much better midrange that gives your voice a lot more body. It's also the heaviest of the bunch, the least handling noise, and the most expensive at a whopping $19.99! All 5 of these mics can be made to sound very similar to one another with a simple 2 band eq but I couldn't get any of the mics to match the midrange of the Behringer. I'd bet with a 3 band or more you could really dial these all very close to one another. That being said much of your decision should be based on build quality, and handling noise in my opinion. For me the keepers are the Behringer and the W800. Between the two I like the W800 (with the treble dialed down a bit) for songs that call for a lower vocal range while still remaining clear, think Frank Sinatra & Elvis, also for speaking this mic has a great range and clarity. For rock songs (oasis, alice in chains, radiohead, GnR) I prefer the XM8500. If I could keep only one it would definitely be the Behringer.

Good

I bought this Pyle-Pro PDMIC58 to test against another cheap mic, the Vayohee Wired Dynamic Mic which was just about $2.50 less. I need quite a few mics in the next few weeks to host a candidate forum and didn't want to break the bank, so I tried these two to see which would be better (for the price). I was SHOCKED at how good the Pyle Pro sounded and how well it was built, not only compared to the other plastic mic but also just in general and for the price. For a <$20 microphone ($15.57 at time of review) the Pyle Pro PDMIC58 is EXTREMELY well built. It's made of all metal with a metal body, metal grill, and a decent-looking mic capsule. It comes with a very small amount of foam inside the grill to protect against wind noise or plosives but I found it to be virtually worthless and promptly added a large foam windscreen. The mic sounds really good, with very little noise and a clear, crisp sound that is not too heavy on the lows or highs. It's a pretty accurate representation of the natural sound which I like, because I can adjust to my tastes in my mixer. The microphone comes with a pretty nice 15 ft XLR to 1/4" cable. If you need a very inexpensive microphone (or 6, like me) this Pyle-Pro PDMIC58 is a great choice that won't break the bank.

منتج امريكي قوي الحساسية المايك احترافي يستخدموه اغلب الفنانين في الاستوديوهات للتسجيل لذا. هو عندي الافضل

Good to singalong

Ich nutze normalerweise das Shure SM58 und habe diese Mikros als Ersatz für den Einsatz mit Kindern und Jugendlichen erworben. Der Test fiel sehr positiv aus, ich merke beim Karaoke kaum einen Unterschied zum Shure. Die Mikros sind etwas leichter und lassen sich auch mit dem Funkadapter kabellos betreiben. Bisher erfüllt es also für den relativ kleinen Preis alle Erwartungen.

Este micrófono es una excelente alternativa más accesible al clásico Shure SM-58: Lo bueno - 1. No se puede vencer el precio que se paga por las prestaciones y calidad del producto, el peso es adecuado y la calidad de fabricación y materiales también. 2. El paquete incluye además un cable macho-macho de 5mm y 5 mts de largo, que se puede cambiar por alguno de otro tipo. 3. La calidad de sonido es muy similar a la del SM-58 y, en la vasta mayoría de aplicaciones no profesionales, será suficiente y satisfará las necesidades del usuario. 4. A pesar del precio, el empaque en el que viene el producto es de buena calidad y no pareciera, nuevamente, corresponder a este rango de precio. Lo malo. No le he encontrado nada malo aún, quizá algunas diferencias casi imperceptibles en la calidad de sonido si se compara lado a lado con el Shure. Resumen. Totalmente satisfecho con la compra y definitivamente lo volvería comprar

Ottimo rapporto qualità prezzo. Per la cifra pagata non si riuscirebbe a comprare neanche il cavo. Anche la resa audio non è male su tutte le frequenze. Lo consiglio vivamente...