SONICAKE QSS-07 Guitar Pedal Cry-Bot Envelope Filter Auto Wah for Funk Bass and Guitar Players

Buen sonido, lo mejor en su rango de precio.

Since hearing Voodoo Child, I had set my sights on a wah-wah pedal. 20-something years later, I have bought this.Firstly, I am surprised at the solid build and compact size of this product. It’s easy to use and just by its weight you know it will be good.The effect this produces is amazing. There is absolutely no need to pedal control, it does all for you. Compared to a Beheringer pedal I bought alongside side, this one performs like the brand name manufacturer.Great product at a great price! 5 stars.

I am a musician that has been performing for 30 years on the stage, in the studio and stage on a a professional. I have a degree in guitar performance and I play everything from classical, jazz, bluegrass, rock, pop, etc...I have owned approximately 75 pedals currently and have owned twice as many through the years. Yes, I am addicted to shopping for guitars, pedals, amps....you get the point. I am going to first talk about the build of the pedal. It is in a small 3.5" x 1.5" x 1.5". It is built like a tank in a durable metal casing. It does have 3 plastic knobs that have rubber rings around them. I am guessing this is used for both gripping and turining the knobs comfortably and to protect them. It also has a regular size knob in the center that is common on many pedals on the market. That being said, the hardware is great quality and I believe this pedal could withstand the day to day abuse from a professional performer for years if not a life time. The build is simply very high quality for the price. I first decided to try this pedal using a clean sound. It has the following 4 adjustable functions:1. "Sense" knob - The large knob in the middle. It acts as a tone filter/sentativity for the sound. Turn the knob all the way to the left and you get a really throaty wah sound and as you turn the knob to the Right the tone brightens. As you pick softer you get more of that "Cry" sound. I found a good sweet spot for a wah sound was this knob between 10 to 11 o'clock. This could be different depending on the guitar and amp etc...you are using.2. "Freq" controls the frequency. I like this knob a little before 12 0' clock3. "Decay" I found this knob sounds best turned all the way to the right for a more intense wah sound.4. "Pres" Presence knob - acts just like a presence knob on an amp. Fine tunes and smooths out the sound. I liked this best at 2 o'clock.The above settings for each knob was what worked for me as far as getting a professional wah sound. Now, as I experimented with turning the knobs, I found I could get synth like swelling sounds to actually using the pedal as an equalizer to get more of a muted sound for jazz tones or get more of a "Fuzz" sound running it through disortion. I also found I could use the pedal to "melow" the sound and make my bridge pickup on a Les Paul sound like the neck pickup on a tell or a neck pickup on a Les Paul itself. I could get a lot of different cool tones just from this tiny pedal. The sensativity of each of the knobs used to change each setting are very sensitive and usable unlike other higher end auto wahs or filter pedals I have used in the past where I could not tell whether turning the knobs did anything. This pedal is especially great for funk and syncapated rifts where dynamics are needed to help accent certain notes or making different percussive sounds in between notes or chords. This pedal I will be using for live performances and studio. When I purchased it, I did not plan on using it except as a toy to play with per say and wasn't expecting how professional, clean, and sturdy this pedal is. This pedel is true bypass and there is no drop in the volume when engaged. No popping, no fizzle, and the sound does not manipulate the original signal that can cause the intergrity of your sound to change. Summary: This pedal is as sturdy as it gets. Super versatile as it can be used as a auto wah, equalizer/filter, synth tones, etc... Professional sound quality and sounds better than pedals I spent 4 plus times for. I have owned auto wahs from the popular cock fight pedal (which I returned), to all the major brands and have refused to use any of them for live or studio use. Most I have returned and have just stuck to a wah pedal. This pedal can really free you up to move around on stage and will use it for live and studio performances. I will buy another one so I can have two different settings I can utilize while performing live without adjusting the knobs and since it is so small it does not take up a lot of space on my people board.Note: I will update this with a video when I get a chance to video and record the different uses I found intriging about this pedal.

ザラザラなサテン塗装が無骨Decayフルから調整していくと分かりやすい。出力低いと１，２弦が拾いにくいのでSenseを上げる、３弦も怪しいか。Presenceも半分くらい上げてないと効果が薄いノブの形の見た目が嫌いなのでジェネラルのミニサイズに交換した。黄色いノブでファンキー!!元のノブの使いやすさときたらもうねマジックテープ付属

Cette pédale d'auto-wah est très pratique et facile à prendre en main. Je l'utilise en jouant de la basse, ce qui donne un résultat très satisfaisant et de bonne qualité !