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Product Description ------------------- Set in the South two years before the Civil War, DJANGO UNCHAINED stars Academy Award ®-winner Jamie Foxx as Django, a slave whose brutal history with his former owners lands him face-to-face with a German-born bounty hunter Dr. King Schultz (Academy Award®-winner Christolph Waltz). Schultz is on the trail of the murderous Brittle brothers, and only Django can lead him to his bounty. The unorthodox Schultz acquires Django with a promise to free him upon the capture of the Brittles – dead or alive. Success leads Schultz to free Django, though the two men choose not to go their separate ways. Instead, Schultz seeks out the South’s most wanted criminals with Django by his side. Honing vital hunting skills, Django remains focused on one goal: finding and rescuing Broomhilda (Kerry Washington), the wife he lost to the slave trade long ago. Django and Schultz’s search ultimately leads them to Calvin Candie (Academy Award®-nominee Leonardo DiCaprio), the proprietor of “Candyland,” an infamous ation. Exploring the compound under false pretenses, Django and Schultz rouse the suspicion of Stephen (Academy Award®-nominee Samuel L. Jackson), Candie’s trusted house slave. Their moves are marked, and a treacherous organization closes in on them. If Django and Schultz are to escape with Broomhilda, they must choose between independence and solidarity, between sacrifice and survival… .com ---- From the moment Jamie Foxx throws off a filthy, tattered blanket to reveal a richly muscled back crisscrossed with long s, it's obvious that Django Unchained will be both true to its exploitation roots but also clear-eyed about the misery that's being exploited. Django (Foxx), a slave set free in the years before the Civil War, joins with a German dentist-turned-bounty hunter (the marvelous Christoph Waltz, Inglourious Basterds), who has promised to help Django rescue his wife (Kerry Washington), who's still enslaved to a gleeful and grandiose ation owner (Leonardo DiCaprio, plainly relishing the rtunity to play an out-and-out villain). What follows is a wild and woolly ride, crammed with all the pleasures one expects from a revenge fantasy written and directed by Quentin Tarantino. Plot-wise, some things happen a little too easily (for example, Django instantly becomes a master slinger), but the moral perspective is not glib. For all its lurid violence and jazzy dialogue, this is a still-rare movie that paints slavery for what it was: a brutal, dehumanizing practice that allowed a privileged few to profit from the suffering of many, a practice guaranteed by the and the whip. Think of it as the antidote to Gone with the Wind. Tarantino is more heartfelt in Django Unchained than in any of his previous movies--without sacrificing any of the pell-mell action, tension, and delicious language that made Reservoir Dogs, Kill Bill, and Pulp Fiction so very enjoyable. --Bret Fetzer