From the pages of Vanity Fair and The New Yorker to a seat among the wits at the Algonquin Round Table to movie screens nationwide, Robert Benchley cut quite the funny figure. And never more so than in the short subject series the humorist made at MGM from 1935 to 1944, gathered here in a complete -- and completely uproarious -- 3-Disc Collection of 30 Theatrical Shorts. The writer adopted a common-man persona to investigate and comment on the challenges of daily living and scored the first time out: his debut short How to Sleep won an Academy Award. And whether trying to figure income taxes, enjoy a movie, train a dog, take a nap or tackle many other daunting situations, the beloved comic master's foibles have always delighted and influenced generations of funnymen and -women who followed.
C**K
How To Chuckle
Although little remembered nowadays, Robert Benchley (1889â1945) has long been one of my favorite humorists. (Even his better known colleague at "The New Yorker," James Thurber, was in awe of his talent.) I've waited a long time to see these classic one-reel comedies on DVD and am not disappointed. This is quiet wit from a gentler era of movie-making (the 1930s): few belly-laughs, but many chuckles. Not farce, but mirth. What you miss in these films is the inspired silliness of Benchley's published humor; what you gain is Benchley himself, in all his droll gentlemanliness.I noticed that a fellow reviewer entitled an entry, "Bob Benchley's Shorts." I can only imagine how broadly Benchley would have smiled at that phrase.
E**T
Essential Benchley
All the essential short films of the master humorist. A must for any Benchley fan.
E**R
BENCHLEY WAS ONE OF A KIND
I've loved Robert Benchley from the first time I saw him on the late show, providing comedy relief in countless movies.So when his ten minute movie shorts, which delighted moviegoers in the 1930's and 1940's, began running on TCM,I tried to record them whenever possible.So you can imagine my delight to find them finally released on this DVD set. Benchley's sly, tongue-in-cheek style is as funny today as it was when these were first filmed. And the subjects are still topical, and some are especially so(income taxes, political campaigning, etc.)For those who are not acquainted with Robert Benchley, here is a perfect introduction.
D**N
HOW TO RECOGNIZE A ROBERT BENCHLEY SHORT
BOUGHT IT FOR MY MOTHER FOR CHRISTMAS. SHE LOVES IT! I LIKE ROBERT BENCHLEY NOW, THANKS TO MY MOM & TURNER CLASSIC MOVIES PLAYING HIS SHORTS. TO QUOTE TMC (AS BEST I CAN REMEMBER): FIRST OF ALL EACH & EVERY ROBERT BENCHLEY SHORT FILM REQUIRES ROBERT BENCHLEY. "HE IS ONE OF AMERICA'S PREMIER HUMORISTS".WHAT A FUNNY GUY! HIS WIT & INSIGHT INTO THE "AVERAGE MAN'S TROUBLE WITH EVERYDAY LIFE" STILL STANDS TRUE TODAY! BELIEVE ME WHEN I TELL YOU THAT ROBERT BENCHLEY'S ACADEMY AWARD WINNING COMEDIES WILL KEEP YOU LAUGHING!
B**T
So funny! So fresh!
Oh, to relive the humor and simplicity of life before all the garbage and nonsense of today. It is like an off switch for the insanity passed off as entertainment today.
L**X
Benchley's in the Picture!
All the MGM Robert Benchley Short Subjects are here. All 30 of them.If you have a nostalgic memory of sitting in the theatre many years ago, viewing these "gems" ofobservation, here you go!(or catching them now and then on TCM today)Includes a Academy Award Winer for best Short Subject.For all Benchley fans!If only TCM would release the Pete Smith Specialities to accompany the Benchley Shorts and the Behind The 8 Ball/Joe McDoakes classics.Here's hoping!!
V**Y
Robert Benchley Shorts
These are OK, not as funny as I hoped but still entertaining. No subtitles. I wish they were pressed DVDs and not DVD-Rs.
A**R
Benchley At His Best!
A great and nostalgic collection of "home movie" shorts by a very funny guy!
M**Y
Nice observations!
Slightly dated - but I liked these little observational films frm watching them on TV in the 70's.I also like to see the old styles in the homes of the past!
G**7
Robert Benchley
Petits chefs-d'oeuvre d'humour, indémodables. Un sous-titrage français eut été le bien venu... Pourquoi les dvd anglo-saxons persistent-ils à ignorer le monde francophone ? Sinon, trÚs satisfait du produit.
S**E
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äœå®¶ã§ãã³ã¡ãã£ã¢ã³ã§ããªããããŠãŒã¢ãªã¹ããããããŒãã»ãã³ããªãŒ(1889-1945)ã¯ãçµçãèªèº«ã®è©æžããŠãŒã¢ãªã¹ããšããŠéãããããã¯ããŠãŒã¢ã¢ã§ä»¥ãŠã(æãšããŠå€é£ã«æºã¡ã)人çã軜ããã«æž¡ã£ãŠè¡ãããšãããã³ããªãŒã®äººçå²åŠãã®ãã®ã衚ããè©æžã ã£ãã®ã ãããã³ã¡ãã£ã¢ã³ã®ããã«ãæå³çã«äººãç¬ãããããšããã®ã§ã¯ãªããäœã§ããªãæ¥åžžã®éäºããŠãŒã¢ã¢ãšãŠã£ããã§ä»¥ãŠãã¯ã¹ãªãšç¬ããã察象ã«å€ãããã³ããªãŒã®ã¹ããŒãã§ç²ãªç¥ç鿝ã¯ããªãã»ã©ããŠãŒã¢ãªã¹ããšåŒã¶ã«çžå¿ãããšããæ°ãããããã¥ãŒãšãŒã¯ã®æå£ã®äœå®¶ãã¡ã®ãããã£ãŒã«éã ãã¥ãŒãšãŒã¯çŽ³å£«é² ãã®äžã§ãåžžç€æ°å¹³æ°ã¯ããã³ããªãŒãè©ããŠããªã³ã°ã»ã©ãŒãããŒã¯ç§ç掻ã§ã¯ãŠãŒã¢ã©ã¹ãªããšãã»ãšãã©ãªãã£ãããã©ãããã³ããªãŒã¯æžããã®ãçæŽ»ããŠãŒã¢ã¢ã ã£ãã®ã ã(P138)ãšæžããŠãããããŸãã«ããã®éãã ãšæããããŠããã®ãŠãŒã¢ãªã¹ããããã³ããªãŒã¯ã1920幎代ãããäœå®¶ãšããŠãæ°èãéèª(ããŽã¡ããã£ã»ãã§ã¢ãããã¿ã€ã ããããã¥ãŒãšãŒã«ãŒããªã©)ã§æ°ã ã®èšäºãã³ã©ã ãæžããŠãäžèºãæå£ã®å¯µå ãšãªã£ãããã ããã»ã©ãªãããŠããã®äººæ°ã«ç®ãã€ããããªãŠãããããåŒã³ãããããæ ç»çã«ã掻èºã®å ŽãèŠãåºãããåãã¯ããã®ææãçãããŠèæ¬ãªã©ãæ åœããŠãããããããŠä¿³åªãšããŠãå€ãã®äœåã«åºæŒããããšã¯ããç¥ãããŠãããã 奥æ§ã¯é女 ããã æµ·å€ç¹æŽŸå¡ ããã ã¢ã©ã¹ã«çéäž ããã èžãçµå©åŒ ãããé空ã«èžããâŠãªã©ã®é·ç·šã§ã®ããããªè圹ããã¡ããè¯ãã®ã ãããã³ããªãŒã®ç骚é ã¯ãäœãšèšã£ãŠãçç·šããããŠããã®çç·šãããã©ãã¯ã¹ãMGMããã©ããŠã³ãã§äœã£ãäžã§ããMGMã®ãã®ãæè¯ãšãããŠãããæåã®äžç·š"How to Sleep"ããã¢ã«ãããŒè³æåªç§çç·šè³ãåè³ããŠããã®ã¯ããã®èšŒã ãããæ¬DVD-Rã»ããã¯ããã®MGMã®çç·šå š30æ¬ã3æã®ãã£ã¹ã¯ã«åãããã®(åèš267å)ããã§ã«ã5ã€ã®çç·šã¯ãä»äœåã®ç¹å žãšããŠåããããŠããã("How to Sleep"ããã ãã«ã¯ã¹å åŒãªãã©ã¯èžã ãã"A Night at the Movies"ããã ãã«ã¯ã¹äžçªä¹ã ãã"That Inferior Feeling"ããã ãã£ã©ãã«ãã£ã¢ç©èª ãã"How to Be a Detective"ããåç±³ç€ãå€éœç¹æ¥ãã"Why Daddy ?"ããåç±³ç€ã颚è»ã®ç§å¯ãã«ããããåé²)ãã·ãªãŒãºå šãŠãåããã®ã¯æ¬ã»ãããåããŠãåé²å 容ã¯ä»¥äžã®éãããDisc1ã:â"How to Sleep" (1935)ãããŒãã»ãã³ããªãŒããå¿«é©ã«ç ãæ¹æ³ãè¬çŸ©ãå§ããããŸãã¯ãåºã«å ¥ãåã«ãã°ã©ã¹äžæ¯ã®ãã«ã¯ã飲ãã§æ°ãé®ããããšãå·èµåº«ãéããã®ã ããæ®ããã®ã®ããã¹ã¿ãŒãç®ã«ã€ããŠããŸãâŠãâ"How to Behave" (1936)ãã³ããŒã«ã§åããŠãç·äºäººããããã穎ã«å¥³æ§ãèœã£ãã¡ãŠæ¥ããã©ãããã¹ãããè°è«ããŠããããã£ãããäžäººãããšãã±ããã®å€§å®¶ããããŒãã»ãã³ããªãŒã«é»è©±ãããŠæããä¹ãããã³ããªãŒã¯ãæ©éãæ§ã ãªå Žé¢ã«ãããé©åãªæ¯èãæ¹ãè¬çŸ©ãå§ããã®ã ãâŠãâ"How to Train a Dog" (1936)ãããŒãã»ãã³ããªãŒããç¬ã飌ããèšç·Žããããšã«ãããæ©éããããåºã«èµŽããæé©ã®ç¬ãéžãŒããšããããã©ãã坿ãç®ç§»ãããŠããŸããã©ãããŠãã1å¹ã«æ±ºããããªããã³ããªãŒã¯ãäœå¹ãè²·ããèªå® ãžé£ãåž°ããæ©éã圌ãããã€ããããšããã®ã ãâŠãâ"How to Vote" (1936)å°æ¹éžæã®åè£è ããåé çã§æ¬ åžãšããããšã§ãã¢ã·ã¹ã¿ã³ãã®ãããŒãã»ãã³ããªãŒãã代ããã«æ¯æè ãã¡ã®åã§æŒèª¬ããããšã«ãªããèŠãåŸãªãæŒèª¬ã«ãæ¯æè ãã¡ã¯ããã£ããéå±ããäžã«ã¯éåºããè ãåºå§ãâŠãâ"How to Be a Detective" (1936)æ¢åµã«ãªãããã®è¬çŸ©ãå§ãããã³ããªãŒãå ·äœçãªé ç®ããšã«å®è·µããŠã¿ãããã®ã®ãã©ãããããèšã£ãŠããããšãè£ç®ã«åºãŠããŸãâŠãâ"The Romance of Digestion" (1937)æ¶åã®ä»çµã¿ã«ã€ããŠè¬çŸ©ããããã³ããªãŒãæ¯ãšååŒã®åœ¹å²ããå§ãŸãã圌ã®çèª¬ã¯æ¢ãŸããšãããç¥ããªãâŠãâ"How to Start the day" (1937)å®éšå®€ã§ã被éšè ã䜿ã£ãŠãç¡ç ããç®èŠããããå®éšã«åãçµããã³ããªãŒãããã«ãèªèº«ã§ãæã«å¿«é©ã«ç®èŠãã1æ¥ãå§ããæ£ããæé ãè¬çŸ©ããã®ã ãâŠãâ"A Night at the Movies" (1937)æ°èãèªãã§ãäžæ äžã®æ ç»ããã§ãã¯ããŠãã倫(ãããŒãã»ãã³ããªãŒ)ã¯ã劻ãšäžç·ã«æ ç»ã芳ãããšã«ãããæ©éãè»ã§åå ŽãžèµŽãããå ¥å Žåžãè»ã®äžã«çœ®ãå¿ããŠããŸãâŠãâ"How to Figure Income Tax" (1938)ãžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã¯ãç®äžãæåŸçšç³åæžé¡ãäœæäžã圌ã¯ãæåŸçšã®ããšã解説ããå®éã®æžé¡äœæã®å ·äœçæé ãžãšé²ãã®ã ãâŠãâ"Music Made Simple" (1938)æ åœã®ã¢ããŠã³ãµãŒãšè©è«å®¶ã«ä»£ãããäžãã¡ã³ã®ãããŒãã»ãã³ããªãŒããã©ãžãªã®é³æ¥œçªçµã®é²è¡ãåããããšã«ãªãã圌ã¯ãèªåã®å°éç¥èãã²ãããããããšããã®ã ãâŠããDisc2ã:â"An Evening Alone" (1938)劻ãå€åºããŠããŸããæ©ãäžäººã§éããããšã«ãªã£ããžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ããã£ãäžäººã§å®¶ã«ãããšãªããšãæå€ãšããããšãæãã€ããã仿¹ãªãããŸãã¯ãå£ã«ããã£ãŠãã鳩æèšã®æ§é ã調ã¹å§ãâŠãâ"How to Raise a Baby" (1938)åã©ãã®æ ææè²ã«æ©ãããããšã¯ãªããšããããšãç¥ã£ãç¶èŠª(ãããŒãã»ãã³ããªãŒ)ã¯ãæ©éãããåãžã®æè²ãå§ãããæ¯åããããŒãããããæ±ãäžãã颚åã«å ¥ããé£äºãäžãâŠãšå€§å¥®éãããâŠãâ"The Courtship of the Newt" (1938)ããåç©åŠè (ãããŒãã»ãã³ããªãŒ)ããããã¥ãŒãããšåŒã°ããçç©ã®æ±æè¡åã«ã€ããŠè¬çŸ©ãããã圌ã¯ãããŒãã«ã®äžã«ããæ°Žæ§œã®äžã«ãããšãããã¥ãŒããåãåºãããšãããããªããªãäžæããããâŠãâ"How to Read" (1938)ãããŒãã»ãã³ããªãŒããèªãããšã®è¬çŸ©ãå§ããããšèšã£ãŠãããã åã«èªãããšã§ã¯ãªãããããã®äžã§ãããã«ç®ãç²ããããªãã§èªãã®ããšããé¡ãã®ãã®ããŸããæ··éããäžã§ã®èªã¿æ¹ãªã©âŠåœŒã®è¬çŸ©ã¯ç¶ãâŠãâ"How to Watch Football" (1938)ãããããŒã«ã»ãã¡ã³ã®ç·(ãããŒãã»ãã³ããªãŒ)ããã©ãžãªã§äžç¶ãèŽããªãããå®éã«ãæäººãšã¹ã¿ãžã¢ã ãžè¡ãã詊åã芳æŠããããšã倢æ³ãå§ããããããããããªãå ¥å£ãééããããåžã確ä¿ããã®ã«èŠåŽããããããããèŠ³å®¢ã«æ©ãŸãããããããšèžãã ã蹎ã£ããã§âŠãâ"Opening Day" (1938)åºåŒµäžã®åžé·ã®ä»£çã§ãæ°ãã宿ããéçå Žã®å§çåŒã«æãããåžã®äŒèšä¿ã®ãã³ããªãŒ(ãããŒãã»ãã³ããªãŒ)ãã»ãšãã©éçã®ããšãç¥ããªããªããããå»¶ã ãšã¹ããŒãããã芳客ãéžæãã¡ããã£ããéå±ããâŠãâ"Mental Poise" (1938)粟ç¥ç§ã®å»åž«(ãããŒãã»ãã³ããªãŒ)ããããæ£è ã®èšºå¯ãããŠãããšãå¥ã®æ£è ããã£ãŠæ¥ããæ©éãããäžäººã®æ£è ã®æ¹ã蚺ã«è¡ã£ãå»åž«ã¯ããã¯ãªãäœãšãèªåãšçäºã€ã®æ£è (ãã³ããªãŒäºåœ¹)ããäºãäžæè°ãªæ°åã§ãäŒè©±ãããŠãããã¡ã«âŠãâ"How to Sub-Let" (1939)æ¥æã®æãã®ãã³ããœãã¡ã§æ°èãèªãã§ãããžã§ã»ãã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã¯ãæäŒãžè¡ã劻ãããã¢ããŒãã®å貞ãã®ããã«èŠç©ã«æ¥ã客ã®å¯Ÿå¿ãäŸé Œããããéããªããäžåç£å±ã«é£ããããŠãèŠç©å®¢ããã£ãŠæ¥ããããŒã¯ã¹ã¯ãç²ãé ããªããéšå±ãæ¡å ãããâŠãâ"An Hour for Lunch" (1939)ãã³ããªãŒã¯ã貎éãªæŒäŒã¿ãæå¹ã«äœ¿ãã¹ãã詳现ã«äºå®ãç«ãŠããªã¹ããäœæãããæŒäŒã¿ã«ãªããæ©éããªã¹ãã«åŸã£ãŠè¡åãéå§ããããå šãæãããã«äºãéã°ãâŠãâ"Dark Magic" (1939)æ¯åã®ãã¬ãŒã³ããæ¢ããŠãããžã§ã»ãã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã¯ãåºå¡ã®å§ãã§ãæåã»ãããè³Œå ¥ãããåž°å® ããããŒã¯ã¹ã¯ãæ¯åã®åã§æåã詊ã¿ãããã©ãããèš³ã ããåºå¡ã瀺ããŠãããããã«ã¯ãããâŠããDisc3ã:â"Home Early" (1939)ãã€ãããæ©ãäŒç€Ÿããåž°å® ãããžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã¯ã劻ã«åã°ããããšæãããããããæªããŸããŠããŸãããããã劻ã¯è¿æã®å¥³åéãéããŠãããªããžã»ããŒãã£ãéå¬äžãå± å¿å°ãæªãããŒã¯ã¹ã¯ãäºéãžãšé¿é£ãâŠãâ"How to Eat" (1939)ãžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ããããŸããŸãªç¶æ³ã«ãã£ãŠãããã«é£æ¬²ã圱é¿ãããããå®äŸã䜿ã£ãŠç€ºããæªããã¥ãŒã¹ãç¥ã£ãæã®é£äºãæããŠããæã®é£äºãæ¥éœãã¹ããŒããæ±ãããããããããªãæã®é£äºâŠãâ"The Day of Rest" (1939)ãžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ããæ¥ææ¥ã®æ£ããéããæ¹ãäŒæããã圌ã«ãããšãäžã®ç·æ§ããæ¥ææ¥ããã€ãã®ããã«éããããšã«åé¡ããããšããâŠãâ"See Your Doctor" (1939)ããæ¥ããžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã¯ãåºä»äºã§ãããã«æãåºãããããããã矩å ã¯ããããããããæ¯ã°ã¢ã«åãŸããã®ãããããªããšèšã£ãŠãããŒã¯ã¹ã«å»è ã«è¡ãããšãå§ãâŠãâ"That Inferior Feeling" (1940)ãžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ããç·ã®å£çæã«ã€ããŠè¬çŸ©ãããç·ã¯ãå Žåã«ãã£ãŠã¯ãå®é以äžã«å£çæãæããŠããŸããšãããäŸãã°ãæš©åšãã人éã®åã§ã¯âŠãâ"Home Movies" (1940)ããŒã ã»ã ãŒããŒã®æ¥œãããèªããžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ãå人ãã¡ãæããŠãå®¶ææ è¡ã®ããŒã ã»ã ãŒããŒäžæ äŒãå¬ããããã³ãã±ãéå転ãé ã®åããæ§å³ãªã©ãé ·ãåºæ¥ã§âŠãâ"My Tomato" (1943)ãžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã¯ã劻ãäœã£ãé£äºã«ã奜ç©ã®ãããã»ã·ãã¥ãŒãåºãªãããšãåããããã§ãåºäžé¢ã䜿ã£ãŠããããã®èªå®¶æ œå¹ãããããšã«ããã®ã ãâŠãâ"No News is Good News" (1943)ãããŒãã»ãã³ããªãŒããã¿ããªããå¯ããããæ§ã ãªè³ªåã«çããããŸãã¯ããã€ã³ãã¬ãŒã·ã§ã³ãšã¯äœã§ããïŒããšãã質åã«çãâŠãâ"Important Business" (1944)ãžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã¯ããã³ã¿ãŽã³ã®ããŒãã«ãœã³ãããé¢è«åžæã®éç¥ãåãåããããŒã¯ã¹ã¯ãååãå®¶æã«ãåŸæãã«ãåœå®¶æ©å¯ã«é¢ããé¢è«ã ãšã»ã®ãããã®ã ãâŠãâ"Why Daddy ?" (1944)ã©ãžãªã®ã¯ã€ãºçªçµã®åé¡ãé£ãªãçãããžã§ãŒã»ããŒã¯ã¹(ãããŒãã»ãã³ããªãŒ)ã®å§¿ãåç®ã§èŠã劻ã¯ã圌ã«çªçµãžã®åºæŒãä¿ããæ©éã"Why Daddy ?"ãšããã¯ã€ãºçªçµã«åºæŒããããŒã¯ã¹ã ã£ããã察æŠçžæã¯äœãšåã©ãã ã£ãâŠãè¥ãé ã«ã¯ãåå¿ãšãèšãã¹ãæå¥³ããã·ãŒã»ããŒã«ãŒãšæµ®åãæµããã¢ã©ã³ã»ã«ãã«ãç£ç£ã®ã ãã»ã¹ã»ããŒã«ãŒããžã£ãºãšã€ãžã®è¯ã ãã§ã¯ãè¥ããã³ããªãŒããã³ãµã 俳åªããã£ã³ãã«ã»ã¹ã³ãããæŒããŠããã®ã§ãæžãäžå¹Žãæ³åããŠããŸããããããªãããæ¬çç·šã·ãªãŒãºã®é ã®ãã³ããªãŒã¯ãå°å€ªãã§äººã®è¯ããããªãã©ãã«ã§ãããè¿æã®å°ç¶ãããšãã£ã颚è²ããããªåœŒããèªåã®è¬çŸ©éãã«ãããã«å€±æãããšãäœãšãããŸãæªããã«ãææ³ç¬ããããŠãè¶ãæ¿ãæ§ãå®ã«ããããã圌ã奜ãã«ãªããã«ã¯ããããªãã®ã ã匷ãã¹ãã¬ã¹ã®å€ãçŸä»£ç€ŸäŒã«ããããã³ããªãŒã®ãããªã人çã«å¯Ÿãã軜ããã§æè»ãªãŠãŒã¢ã¢ç²Ÿç¥ãããå¿ èŠãšãããŠããã®ãããããªããæ¬DVD-Rã¯ãç±³Warner Archiveã®ãªã³ã»ããã³ãã»DVD-Rããã¹ã¿ãŒã«ã¯ãç±³TCMã§æŸæ ãããçŽ æã䜿çšã培åºçãªã¬ã¹ãã¢ãªã©ã¯ãããŠããªãã®ã§ãããºãæ®ã£ãŠããããçœé»è«§èª¿ããã£ããŒã«è¡šçŸããæ¯èŒçè¯å¥œãªç»è³ªã§ãé³å£°ã倧ããªåé¡ã¯ãªããäŸã«ãã£ãŠãè±èªåå¹ã¯åé²ãããŠããªãããã³ããªãŒã®èšãåãã¯ãè³ã ãã§ãªããåå¹ã§ã楜ãã¿ããã£ãã®ã§ããã®ç¹ã¯ããã¯ãæ®å¿µãã±ãŒã¹ã¯ããã«ãã»ã±ãŒã¹ãæ¡çšããŠã3æã®ãã£ã¹ã¯ãã¹ãããªãšåçŽã§ããäœããåç±³ç€ãªãããR-0(=All)ãªã®ã§ãæ¥æ¬ã®R-2ãã¬ãŒã€ãŒã§ãåé¡ãªãèŠèŽå¯èœãåœç¶ãæ5ã€ïŒ ãã¥ãŒãšãŒã¯ç޳士é²å¥¥æ§ã¯é女海å€ç¹æŽŸå¡ã¢ã©ã¹ã«çéäžèžãçµå©åŒãã«ã¯ã¹å åŒãªãã©ã¯èžããã«ã¯ã¹äžçªä¹ããã£ã©ãã«ãã£ã¢ç©èªãã»ã¹ã»ããŒã«ãŒããžã£ãºãšã€ãžã®è¯ã
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