Perfüümista ÖÜ Perfumes: The Guide 2018

Great to have this as an actual book as opposed to a Kindle version which I have been using for the last few weeks. Kindle is really not a format for a reference book when you want to skip back and forth. This is a worthy follow up to 'Perfumes The A-Z Guide' and follows the same format, with star ratings and top tens and can be treated as a companion volume as they do not go over old ground. The introductory essays on the state of perfumery in the last decade since the A-Z was last revised are fascinating and the individual reviews follow the same mix of informative and poetic essays to hilariously catty one-liners. My main quibbles would be that they appear to have over-reviewed perfumes by certain houses they don't care for like Roja Dove and have also reviewed way too many which were limited editions and gone from the shelves before the book was published e.g. by Jo Malone. The selection of fragrances by other houses like Byredo also seems a bit skewed as you will not find their more recent top sellers produced since the A-Z at all but others that don't exist make it in. Finally there's a bit of a print-on-demand feel to the book in the hand; a flimsy, cheap feel to the cover and the text having a rather ugly undesigned look on the page. Sure enough on the final page it says 'Printed in Great Britain by Amazon' indicating that it probably is such a beast. Still, worth your money but if you don't have the classic A-Z buy and read that first.

When you pick up a new book by Luca Turin and Tania Sanchez and you discover that a review of a gardenia perfume begins with that familiar refrain of ‘Not gardenia’, you find yourself heaving a mightily stress-banishing sigh of relief, because you realise that, no matter how insane the world around you may seem, at least a few things can be relied upon to remain the same. In this case: the quality and honesty of Turin and Sanchez’s fragrance assessments. Those attributes come to the fore in Perfumes: The Guide 2018, their most far-reaching release since their rightly lauded and influential guide from 2009.The structure of this particular tome is not a departure from what has come before. At the beginning: a few excellent essays - including a characteristically thought-provoking appraisal of the current state of the industry - followed by FAQs. At the end: a glossary, indices and some Top Tens. And of course, in the middle, hundreds of juicy reviews of new and new-ish fragrance releases. In other words: business as usual. But that’s precisely why this release should be welcomed with scented arms.Ten years ago, the world of perfume criticism was a very different place. It needed the efforts of people like Turin and Sanchez to legitimise it and place it within the wider context of the work of creators and retailers. Nowadays, perfume reviewers are hardly a novelty. But their integrity is open to question. At a time when both social media and brands are conspiring to persuade follower-hungry ‘influencers’ (has there ever been a more asinine word?) to paste a gelatinous gloop of positivity over every single product, the value of criticism is in serious danger of being compromised. Turin and Sanchez have returned at just the right time to prove that truthfulness - no matter how subjective it may be - is always going to be more helpful and more constructive in the long run than some inane copy-pasting of a nonsensical press release.Of course, the precise contents of that truthfulness are up for discussion. Thank goodness! After all, that is the main purpose of criticism. On the one and only occasion - thus far - that I’ve met him, Turin said that one of his favourite books is James Carse’s Finite & Infinite Games, because it celebrates the unending pursuit of knowledge, the denial of all-conclusive answers, the refusal to bring the game to an end. Contrary to what some seem to think, his and Sanchez’s reviews are not an attempt to have the final say on their subject. If they’re written in a manner that appears to brook no further argument, that’s mainly a reflection of the craftsmanship of their authors. But in fact what they are is an invitation to further the debate: not on the level of some Insta-pouter, but of someone who’d like to make at least an attempt to treat the matter with a modicum of intelligence.So even though I don’t agree with all their reviews, I am so grateful to them for giving me the opportunity to consider and revise my own positions, as well as those of others. Perhaps some of their put-downs tip into the over-personal. Maybe their love of certain perfumers is a touch too unshakable. Possibly their continued use of star ratings is reductive. But that’s all up for debate. And how wonderful to be able to debate a feast as rich and multi-layered as this. Like a High Tea chat between the ghosts of Wilde and Wodehouse, their reviews gleam with wit, conciseness and, crucially, the ability to connect seemingly disparate dots. By and large, they are an utter joy to read. I’m concerned about the pair’s intention to release a new volume every year - I’d say part of their strength lies in viewing the scented scene from a less immediate vantage point - but I would certainly prefer to have an annual entry rather than none. Long may T&S keep writing. And giving us those ‘not gardenias’.

Very well written, just a shame that most of the perfumes reviewed are from small, niche, exclusive perfumers, almost impossible to find and unbelievably expensive. You won't find many of these perfumes on the High Street!

I loved the previous guide for its witty style as well as it’s serious content. Allowing that perfume is a very personal thing (even the authors occasionally disagree) I find myself agreeing with them more often than not, and all the perfumes I have worn over the years have rated 4 or 5 stars here. Having reached a “certain age “ I was looking for something new, which would be a complete break from my Guerlain/Chanel past , and thanks to this guide, I found it. Who’d have thought Hermes”Twilly” would suit the 70 year old me? A witches brew, according to Luca. Maybe I’m still Hecate at heart ...

Having read a previous book on perfumes by this author, this latest "review and educate" book was eagerly anticipated. While some of the reviews were interesting, this particular book focused mainly on fragrances that are horridly expensive, hard to find outside of a major city or abroad, and was dismissive of the major fragrance houses such as Chanel, Gucci, etc. I did not feel educated or informed after reading this book!